Categories
Community Community Development Education Health and Wellness Vanessa Johnson

Navigating Trauma: Insights from a Human Services Journey

Working in the Human Service Field for approximately 15 years, the more I serve children and families, the more I realize the significant role that trauma plays in their lives. In the field of community-based services, 90% of the families that are in services have some level of personal, cyclical, or multi-generational trauma within their families. Trauma within families has increasingly become a tragic legacy passed down from generation to generation, creating a society of individuals who have become burdened with the pains of their past, and as they try to create a life worth living; they discover that it becomes increasingly difficult without healing. This can make the very act of living difficult and overwhelming.

 It is important to understand how childhood trauma can impact the life of a child which could consequently impact their emotional and mental health into adulthood. Experiencing trauma at a young age can cause a child to see the world only through the lens of trauma which can cause a level of distrust and create a lack of desire to contribute positively to the world around them. Children exposed to trauma are prevalent with more than two-thirds of them experiencing some type of traumatic event during their childhood. More than one type of trauma is happening to one-third of our children and as a result, 20% of trauma-exposed children develop mental health issues like posttraumatic stress disorder. Along with posttraumatic stress disorder, children also experience depressive and anxiety symptoms which can cause substantial impairment in n their daily functioning and overall well-being.

There are major factors that contribute to the development of problems in children like significant behavioral problems within the school system. Many people, including those in the human service field, do not realize the significant impact that trauma has on the body, in particular the brain. Journal articles that explore childhood trauma history have linked it to abnormal brain activities, particularly in individuals with major depressive disorders (MDD),  show findings of the dramatic primary association of the brain’s resting state network and its connection to abnormalities in those with a history of childhood trauma. Childhood trauma that includes physical, sexual, or emotional abuse causes disorders like  MDD to manifest.  MDD symptoms include impaired daily function and suicidal ideation, insomnia, and disruption in cognitive functions like attention and memory. MDD is just one disorder that has been attributed to trauma.  Other disorders linked to MDD include posttraumatic stress disorder, bipolar disorder, and severe anxiety disorders. Obtaining knowledge of how the brain is impacted or even fractured in some senses as a result of trauma is important for those who are called to provide counsel and therapy to victims. This knowledge is important as we assist clients with their reconstruction and healing process.

My very own traumatic past has made me a lifelong student of trauma and its significant impact on the mind, body, and spirit. The work of understanding trauma can enlighten and educate a generation of people who look at children and adults with mental and emotional health issues as just people with problems. We as a society need to understand and recognize that their lives included experiences that they did not ask for and there is a real struggle to navigate through a myriad of dysfunctions and diagnoses that erupt as a result of experiences that someone else forced on them. It is not easy for society to discuss, but that does not mean it is not necessary. Our perspective of these individuals is often tainted by the behaviors that we see or the possible impact to our own lives, but I ask myself almost daily if that perspective would be different if they could see them through a trauma informed lens. Would it be seen as more significant if it happened to someone in the household or extended family? What will it take for society to aid more and condemn less; to complain less and contribute more? If it were you, what would you want society to do?

 

Vanessa Johnson has worked in the Human Service field since 1993. She holds a bachelor’s degree in psychology and a master’s degree in human service counseling with a focus on crisis and trauma. Vanessa is passionate about working with children and families in the Greater Charlottesville area and surrounding counties. Currently pursuing her Doctorate degree in Community Care and Counseling (Traumatology) at Liberty University, her ultimate goal is to educate other human service professionals on the emotional and mental impact of trauma on individuals. To find out more about Vanessa Johnson, please visit thrive2healservices.com

Categories
Best In Black Community Community Development

Best In Black Cville 2024

Best in Black Cville is here for 2024! In collaboration with Soul of Cville, we are celebrating the exceptional contributions of Black individuals and businesses in Charlottesville and central Virginia. Best In Black Cville is our commitment to celebrating our diversity and excellence and shedding light on those who inspire through their hard work, creativity, and leadership.

Categories span a wide array of sectors, from business and entrepreneurship to arts, entertainment, and community service. Each nominee represents some of the best  our community has to offer, embodying Charlottesville’s true spirit of perseverance and innovation. The Best in Black Cville Awards not only recognize outstanding achievements but also foster a sense of unity and pride within our neighborhood.

Community members are encouraged to cast their votes and support their favorite nominees. Voting is simple and accessible, but don’t delay—voting closes on June 30th! Winners will be announced at a live presentation during the Soul of Cville kickoff on August 16, 2024. This collaboration with Soul of Cville amplifies our work of creating impact and bringing together a broader community to celebrate and uplift Black excellence.

This event is made possible by the generous support of the Black Professional Network and the Jefferson School African American Heritage Center. Don’t miss this opportunity to acknowledge and celebrate the remarkable achievements within our community. Cast your vote today and help highlight the individuals and businesses that make Charlottesville and central Virginia a dynamic and thriving place to live, work, and create!

To vote, please visit:https://www.cognitoforms.com/DSID1/BestInBlackCVille

Categories
Community Community Development History National Headlines

40 Acres and a Lie

A government program gave formerly enslaved people land after the Civil War, only to take nearly all of it back a year and a half later. We used artificial intelligence to track down the people, places, and stories that had long been misunderstood and forgotten, then asked their descendants about what’s owed now.

This story was produced as part of a collaboration between the Center for Public Integrity, the Center for Investigative Reporting, and the Investigative Reporting Workshop.

See the full story on the MotherJones website. 

Black Americans have been demanding compensation and restitution for their suffering since the end of the Civil War.

40 Acres and a Mule remains the nation’s most famous attempt to provide some form of reparations for American slavery. Today, it is largely remembered as a broken promise and an abandoned step toward multiracial democracy. Less known is that the federal government actually did issue hundreds, perhaps thousands, of titles to specific plots of land between 4 and 40 acres. Freedmen and women built homes, established local governments, and farmed the land. But their utopia didn’t last long. After President Abraham Lincoln was assassinated, his successor, Andrew Johnson, stripped property from formerly enslaved Black residents across the South and returned it to their past enslavers.

Over the course of two and a half years, a team of Public Integrity reporters, editors, and researchers identified 1,250 Black men and women who had earned land as reparations after the Civil War. From there, the team conducted genealogical research to locate living descendants of many of those who had received and then lost the land. For the first time, these living Black Americans were made aware of the specific land that had been given to and then taken away from their ancestors.

This project is an unprecedented and innovative use of Freedmen’s Bureau records—an impossible task for most of American history, until recent advances in genealogical research and the digitization of thousands of pages of Reconstruction-era documents made it feasible.

See the full story on the MotherJones website. 

Categories
CIM Project Community Community Development First Person C-Ville

It was once his family’s farm — the largest Black-owned farm in Albemarle County — but now we all own part of it

by PHILIP COBBS | Photos by Kori Price

Last year I passed a milestone, 65 years on Earth. As I reflected on my life, it occurred to me: I had spent most of my life within a football field’s length of my birthplace. I was so immersed in the place I took for granted how safe I felt there.

Ten miles southeast of Charlottesville, where Buck Island Creek joins the Rivanna River, our family farm did not have a formal name. It was often called the Garland Farm. When I was born, it was the largest Black-owned farm in Albemarle County, at more than 600 acres. I took for granted that I could walk all day and never have anyone ask me what I was doing there. I belonged there, it had belonged to my family for generations. I felt at one with the land.

Now, I simply call it Buck Island.

Today, there is little evidence of our family farm’s existence. Everyday, hundreds of commuters on Thomas Jefferson Parkway pass by it on their way to Charlottesville. A small white church is the little left of a once vibrant community.

A road sign on Thomas Jefferson Parkway identifies Buck Island Creek. There are no markers to signify where the Garland family farm once stood. Kori Price/Charlottesville Tomorrow

A few years ago, when I looked for Buck Island Creek on Google Maps, I was surprised that it was mislabeled. Buck Island Creek begins near Buck Island, but the fork to the west is mislabeled as the Rivanna River. The place I remember so well had disappeared from the map.

But there is hope in preserving the story of Buck Island’s past.

Continue Reading on the Charlottesville Tomorrow Website

This story was published as a part of Charlottesville Inclusive Media’s First Person Charlottesville project. Have a story to tell? Here’s how.
Categories
Community Development Khalilah Jones

Making Waves in the Community: Community Views the new Little Mermaid

Photo Above: Jessica Turner and daughter Jaelle Armstrong are all smiles after the movie screening.

by Khalilah Jones

On Saturday, May 27th, Chic & Classy Image Consulting and Beyond Fitness with Sabrina partnered to provide discourse about representation, a fierce, radical and unapologetic self acceptance and the importance of amplifying your voice. The newly released Disney Little Mermaid live action movie featuring Halle Bailey as the lead character, was the perfect backdrop for this intimate conversation. 

Selah Powe, a young change maker in her own right, takes a break from arranging swag bags, to pose with organizer, Khalilah Jones

Held at Violet Crown, this event included the free movie screening, a kid’s snack pack with popcorn, Welch’s fruit snacks and a small drink, for 5-12 year old Black girls that are “Making Waves in the Community” and a parent or guardian. The co-organizer’s goal was to ensure that these phenomenal children are recognized and celebrated. Also, for those who may not normally be able to attend, due to accessibility or cost are able to do so. 

Organizer, Sabrina poses with this young movie goer

The nomination process involved community partners, parents, guardians and mentors submitting their favorite local Little Mermaid who exhibits traits comparable to Disney’s iconic Little Mermaid, Ariel. Those traits include (but are not limited to) bravery, wit, kindness, leadership and adventurous spirit. The personal anecdotes shared from the nominators were heartfelt and reaffirmed our confidence in the future change makers of the Charlottesville/Albemarle area. 

After wrapping the discussion on the magic in our voice, the group posed while waiting for the start of the film.

When the exciting news broke that this movie was coming out, immediately followed by a tsunami sized wave of backlash, due to the fact that the lead character was being played by a Black woman, I knew it was important to have young ladies see this movie in an environment together where they can have discourse. 

Too often, Black women and girls are told we are somehow too much, yet still not enough. Society has laid out, in no uncertain terms, what the “standard” of beauty is and our young impressionable girls do not see themselves reflected in that standard. The nominations received, said otherwise. These Little Mermaids are redefining “the standard”. 

We also recognize that Ariel did not realize how important her voice was until she had lost it. Together, with the support of sponsors Vinegar Hill Magazine, DSID, IX Art Park, 4Z Digital, DeLaRoll and CTI, the young ladies had the opportunity to amplify their voices. 

Along with the deliciously buttery scent of popcorn, the very important Mermaids were greeted with age specific, mermaid themed swag bags. These swag bags were curated by 11 year old, Miss Selah Powe of An Amazing Kid Co. Each girl was given a personalized certificate with the positive words the community shared about them. One lucky parent walked away with a beautiful, wicker basket donated by a staunch community supporter…definitely a self care dream, imagined.

While we were surprised that the theater did not have any signage for the movie, we showed up and showed out for the occasion. The group for sure said in no uncertain terms, “The Little Mermaid is HERE!” There was an almost palpable feeling of camaraderie when each young guest laid eyes on another who was adorned in Black Little Mermaid t-shirts, an impressive mermaid inspired tulle dress, leggings and a maxi skirt fashioned to simulate mermaid scales (okay those last two were the hostesses, don’t judge us!). 

Joey Lynch and Corinthian “CC” Gatewood excitedly explore their swag bags while awaiting the start of the movie.

We opened with brief introductions, talked about the significance of the movie, the spirit of advocacy and amplifying our voices. The movie followed, immediately, thereafter. 

After watching the riveting movie (which, I must say, roused a rogue tear or two), the guests were met in concessions, by the Little Mermaid, courtesy of Character Connections. The VIPs (AHEM, very important princesses) had photo ops with the character which concluded the Making Waves in the Community event. 

On Memorial Day, Dr. Wes Bellamy hosted an opportunity for the community to attend a free showing of the movie, as well. It was truly euphoric to see the Black Girl Magic and Black Boy Joy, during the “Making Waves” event and while I was not present, I can say with full confidence, the same held true during the Memorial Day screening. 

Oh, before I sign off, you know there’s always going to be a fashion and style element to my offerings. I worked with a vendor, Kimetic, who designed a t-shirt to my specifications. The shirt featured a decidedly beautiful Black mermaid with locs and rich shades of purple, deep turquoise and glistening gold. The shirt boldly states Making Waves…Stronger than the tide! This, while a gorgeous shirt, is indeed, a call to action! We encourage you to amplify your voice, continue to sow the seeds and cultivate the spirit of advocacy, in spite of the overwhelming external (and sometimes internal) opposition. Thank you Halle Bailey for weathering the storm and making waves with this movie.

Categories
Community Community Development Hometown Heroes Katrina Spencer

Building a Legacy that Outlasts You

Written by Katrina Spencer; featured image by Kori Price

a man dressed in black leans on a chair
Eddie Harris, publisher and founder of Vinegar Hill Magazine, photograph provided by Katrina Spencer

When we sit down, it’s at the Shenandoah Joe’s on 10th & Preston, right alongside Washington Park, the area Eddie Harris grew up in, “on the Height.” It’s unseasonably warm outside– over 80 degrees– and we’re only three days into spring. Not all the cherry blossoms have opened up yet. The UVA students are back from break. And the uptick in gun-related deaths in Charlottesville has us all a bit more alert about local activity than perhaps we want to be. 

For me, it’s a big moment. I am now the steward of stories of the magazine that Eddie created some 12 years ago, and for four months now, I have tried to do his vision justice with the writers, stories, and themes I recruit. Sometimes I wonder if I veer well off the path. But Eddie assures me that Vinegar Hill Magazine (VHM) is boundless in its aspirations. He is our publisher and my elder, and my position exists because of the seed of an idea he nurtured long before I even knew what Charlottesville was.

a woman posing
Katrina Spencer, Content Manager and Editor of Vinegar Hill Magazine, photo provided by Katrina Spencer

He’s wearing black VHM swag and chewing a chocolate chip cookie. I’ve frosted my fro in a goldish pink and, as my generation demands, I’m trying to stay hydrated. We’re different and the same. He’s a Southerner who knew segregated schools in the 1960s and whose life introduced him to street hustles and hard knocks early on. I’m a transplant from California whose classmates’ last names from elementary through grad school, 1990- 2016, ranged from Ávila to Bekmezian to Chun to Go to Oni and to Surendranath, to name a small, but diverse subset. My first real job? Librarian. It don’t get no mo’ strait-laced than that.

But there’s at least two things we clearly have in common: we’re proud to be Black and are invested in the restoration of our people’s dignity. So we find ways to compile our goals, negotiate our strategies, and find common ground. We both want to support narratives that inspire discovery, possibility, and truth. 

a school picture of a boy
Eddie Harris as a child. Photo provided by Eddie Harris

At my prompting, Eddie begins to tell me his story– one of a close and intimate community that offered supportive guidance and a strong sense of identity. Within it, he was loved by his biological and chosen families. Though he lost his father early on to lung cancer, there were enough parental figures about to make him, the baby of the family, feel whole. While he wasn’t rich in dollars, he was in loving care. 

When the Charlottesville schools were desegregated, however, Eddie’s sense of normalcy was destabilized and his identity shaken. This historic event would become a major turning point in his life. Where before the people on his left and on his right all looked like him, once integration efforts came underway, he had to travel a greater distance to school. He and his peers were subjected to abuse, which included verbal harassment by strangers as they plodded their new paths there. And often he was the only Black male in his classes. While his family and loved ones celebrated his intelligence and athletic performance, the new schooling environment seemed to persistently suggest to him that he was less than, inferior in some inexplicable but inherent way, and the cognitive dissonance got to him. He carried this friction within him that resisted resolution and festered into a sense of resentment. 

a photo of a boy in baseball gear
A photograph of Eddie Harris playing baseball in Washington Park as a child, provided by Eddie Harris

It wasn’t long before his actions and behaviors started to match the low and poor expectations the broader systems of power had of him. The loving community, his all-star baseball team, and even the pro-Black politics of the ‘70s wouldn’t be able to save him from tripping over the proverbial snares in his path. The streets were calling his name, and he answered. Getting caught up on the wrong side of the law, Eddie would be incarcerated, staring down a potential sentencing of 30 long years. “But God…won’t He do it?”

Divine intervention kept Eddie’s time behind bars relatively low– about a tenth of what was expected. Rehabilitative programs like the Locust Therapeutic Community and work release gave him the opportunity to demonstrate that there was nothing mean, hardened, criminal, or irredeemable in him– just a general disorientation and a need to reset his mind. So while he was detoured and delayed, he was able to resume a stable path.

It was at this time that the idea for building a media platform that would honor the Black community began to churn inside him. He noted that stories in the local media were casting his people in a poor light, and it rubbed him all wrong. But moreover, the depiction he saw simply didn’t represent the warmth, care, and bonds he knew. Only a portion of the truth was being told, and that portion wasn’t large enough. And if the phrase “If you want something done right, do it yourself” was a person, its name would be Eddie Harris.

a print newsletter in black and white
One of the original issues of the Vinegar Hill Newsletter from the early 2010s, photograph provided by Eddie Harris
the cover of a glossy magazine
The cover of the Spring 2023 issue of Vinegar Hill Magazine, featuring Jay Simple.

 

 

 

 

 

 

 

 

 

 

 

In 2011, Vinegar Hill Magazine (VHM) was born. [Kind of.] It didn’t look like it does now: glossy, full color, 40 pages long, and full of ads promoting local businesses. No. VHM was a humble newsletter before it was a magazine. It was made up of just a few pages. Local contributors wrote in their stories, and Eddie would distribute the publication by hand to anyone who would take it. Grassroots all the way. Since its early beginnings, VHM has covered stories of Black entrepreneurship, local politics, travel, community arts, events, and more, providing evidence that counters the idea that Black people are any less than any other. Eddie, then, is obliterating the same tension that discomfited him as a boy and nurturing his community in doing so. 

a man posing in front of a piano
Sarad Davenport, Chief Operating Officer of Vinegar Hill Magazine, photo provided by Sarad Davenport

And since chief operating officer Sarad Davenport signed on to help steer the periodical in 2013, he reports that VHM can boast over 6,000 followers, subscribers and members combined, more than 10 contributing writers, a staff of nine part-time staff and contractors, quarterly print circulation, an open access website, gear you can purchase by clicking “Merch” at vinegarhillmagazine.com, a variety of sponsorships for local events, a partnership with the Charlottesville Inclusive Media Project, and the recent win of the Borealis Philanthropy grant. In other words, it seems to be doing pretty well by most any metric.

Eddie affirms that the magazine is more than a mere publication. Rather, it is representative of a mindset. His desire has always been to create something larger than himself, larger than any one editor, and something that will outlive us all. One thing we agreed on early in our discussion is that the Church and the family aren’t the central and unifying institutions they once were for the Black community. Knowing this, Eddie hopes to see VHM rewrite history, to become a household name, and to be a thread that reunites the local Black community. Another phrase that embodies Eddie’s vision? “The sky is the limit.”

I scratch out copious notes listening to Eddie’s aspirations, alternating between lamenting my failing penmanship and lending him my eye contact, frequently grunting to indicate I hear him. As politely as she can, a barista reminds us all that the coffee shop closed six minutes ago. I gather up my things knowing that not only did I have more questions to ask Eddie and that we were just getting started over an hour into conversation, but also that there are three submitted VHM stories I’m due to edit this week from our writers on a local and historic restaurant, a trip to Europe that reveals its Black diaspora, and media makers like Thomas Jerome “TJ”  Sellers. It seems, Eddie, we are on our way to building that much yearned for legacy, and we hope to do you proud.

To become a member of Vinegar Hill Magazine, visit https://www.vinegarhillvintage.com/products/annual-content-membership. Find Vinegar Hill Magazine’s stories at vinegarhillmagazine.com. If you have excellent writing skills and want to write for the publication or seek coverage of a story or event, write vinegarhillmag@gmail.com. 

Categories
Arts Community Development Hometown Heroes Katrina Spencer Style

The Beautiful Work of Her Hands

by Katrina Spencer

Kristal Farmer Grady can do it all. Locs, weaves, bantu knots, wigs, cornrows, relaxer, protective styles, twistouts, braidouts, color, trim. “You name it!” as gospel icon Shirley Caesar once famously said. Following 15 years of wide ranging work experience and training with Hair Cuttery, there is little left on this veteran hairstylist’s coiffure bucket list. For just over five years now she has been offering her services at Ebony Images at Seminole Court where her clients book her services through Style Seat. There she and five other stylists rent chairs where clients can get a short pixie cut like Halle Berry’s classic look, tapered close at the neck, or get locs installed, tightened, or reddened like songstress Halle Bailey of 2023’s The Little Mermaid. If you ask Kristal what her favorite styling technique is, she doesn’t hesitate: it’s color. She loves to apply vibrant hues to her clients’ tresses and acknowledges that in her profession, “It is not an option to be less than perfect.” She takes a great deal of pride in her work, deftly managing heat, dyes, synthetic materials– truly “the whole 9.” Her least favorite style? Any individual microbraids, which consume a good deal of time and leave her and customers with little to talk about after the 8-hour sessions the style requires.

This Virginian grew up in Louisa with a mother who was a minister and a father who was a taxicab driver for over 30 years. With her mother’s vocation, it was not uncommon for Kristal to spend three or four nights a week in church. It was then that Kristal was first handed a comb to keep her busy throughout the many Baptist services. She got much practice, too, being a barber to her five brothers. While at least six years of her education were directed through homeschooling, by the time she was formally training at the Charlottesville-Albemarle Technical Education Center for her license in cosmetology, she had already delved deep into a diverse body of experimentation. Her clients today come in all colors and include men, women, and children. With all she’s done and seen, she has some clear preferences about useful products and reliable tools that help her to manage her craft. Peep these tips: best brand of loc twisting gel? Bellatique. Fantastic flat irons? Go with Baby Bliss. Scalp stimulator? Rosemary mint oil is the way to go.

Some of Kristal’s skills can only be won with time. For example, in a service position like her own, she has learned to read the energy of a broad spectrum of people and can engage most anyone. As with every hairstylist, a few burns, nicks, and cuts along the way are part of her story, too, a natural job hazard for someone who relies on her hands– but nothing serious enough to turn her off from the calling that she loves. Kristal’s goal now is to whittle her services down to a smaller subset, likely in service to the natural hair community, which has been burgeoning over the past 15 years. Many clients are choosing to avoid certain styles that require harsh chemical processing of the hair, and stylists are taking heed, expanding their repertoires further to create styles like Lupita N’yongo’s and Letitia Wright’s in Black Panther and Wakanda Forever, Issa Rae’s in Insecure, and Tracee Ellis Ross’ on almost every red carpet she graces. The famous folks and others, too, are getting to know their curl patterns and embracing what their roots produce naturally.

painting
One of Kristal Farmer Grady’s paintings

While Kristal’s work is as likely to be featured in a hairshow run by University of Virginia students or out of town in weddings amidst couples sharing their vows, the work of her hands is versatile enough to go beyond hair and scalps, razors and scissors, creams and balms. She loves to create in all forms and along with her husband, Larry Grady, the rapper known as “Legend tha God,”, the two have created Grade-A Kont3nt, an artistic pairing that works with a variety of materials– resins, acrylic, fabric, styrofoam, oils, putty, rope, and more– to produce arresting works that can adorn your home, office, and/or other spaces of your choosing. The mixed media provide indefinite possibilities for products that are both decorative and practical for use. Kristal and Larry’s work has been featured at the Jefferson School for African American Heritage Center and sold at local craft fairs at IX Park. No matter the medium, Kristal will be conjuring up something new for us to admire. To find her in action, visit Ebony Images at 153 Seminole Court in Charlottesville; book an appointment through Style Seat; follow Grade-A Kont3nt on Facebook; or call 434-227-3138 for a consultation on the next hairstyle you want, or the craft you want to commission!