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Community Community Development Education Health and Wellness History Hometown Heroes Sonia Montalvo

Holly Edwards: The Legacy of Lamb and Lion Lives On

by Sonia Montalvo | Photos by Anica Marcelino

Holly Edwards was a force—both gentle and unyielding—who forever shaped Charlottesville’s community. Even now, nearly a decade since her passing, the ripple effects of her civic-centered work as a nurse, City Councilor, and community advocate are felt in both big and small ways. Holly was not just a public figure; she was a servant leader who showed up in people’s lives, day in and day out, with compassion, wisdom, and quiet strength.

To her family, she was the matriarch who led by example; to her neighbors, a trusted advocate and friend; and to the community at large, she was a woman of action, embodying what it meant to stand firmly for what is right while offering warmth and kindness to those around her.

Saturn Edwards recalls their mother’s advice: “You gotta be tough,” emphasizing her belief in balance: “She specifically said that we have to be like a lion and a lamb. You have to balance your energy when you’re interacting with other people, and you have to stand up for yourself while also doing it with grace.” Saturn and their twin, Jean, were the youngest of Holly and Ken Edwards’s children, growing up in a close-knit family alongside siblings Christen and Shelby.

Video Credit: Anna Scholl

Photo of Holly  provided by family.

Jean, fondly known as Novella, reflects on spending after-school hours at Westhaven with Holly, who seamlessly integrated family with her community work. “She would pick us up, especially during the summer when she was working as a nurse, and be like, ‘I’m going to be in my office and do my own thing, but you guys can play with your toys.’” For the Edwards children, service was more than a responsibility—it was a natural part of life.

Christen and Shelby share similarly impactful memories. Holly supported and encouraged their interests: Shelby recalls her mother buying the book that the musical she starred in during high school was based on, while Christen remembers having empowering conversations with Holly about her teenage aspirations of becoming an Olympic swimmer like Michael Phelps.

Creating Community Care

Holly’s roots run deep in Charlottesville’s public housing communities, and Westhaven held a special place in her heart. Westhaven, Charlottesville’s oldest housing complex, was where Mrs. Edwards served as a Parish Nurse and Program Coordinator for the Public Housing Association of Residents (PHAR) at the Westhaven Clinic. Holly’s efforts brought healthcare directly to those who needed it most, ensuring equitable access for all. She didn’t limit her work to just one facet of community care—she also pursued political change.

Left to Right: Jean Edwards, Saturn Edwards (Front Row,) Shelby Edwards, Christen Edwards, & Ken Edwards (Back Row.)

During her time in local government, Holly Edwards served as Vice Mayor of Charlottesville from 2008 to 2010 during her term on the Charlottesville City Council. Elected to the council in 2007, she served until 2011. In her work, she fought for policies that mattered—equitable access to resources and healthcare, as well as support for the city’s most marginalized. But she also knew that leadership wasn’t just about standing tall; it was about lifting others. Her family understood her unmatched ability to listen, connect, and offer the right words at the right time.

Love and Lasting Impact

Ken Edwards, no stranger to community work, jokingly shares that he loved “the hype” surrounding his wife, Holly. As a Community Faith leader and long-time Government Service worker for the United States Postal Service, Ken has spent decades fostering spiritual growth, serving as a pastor at Union Grove Baptist Church and now the historic Zion Union Baptist Church in Charlottesville, Virginia. Alongside his late wife, the couple exemplified a life of unwavering service—Ken through his faithful leadership and commitment to public service, and Holly through her passionate advocacy for healthcare and social justice.

Reflecting on Holly’s tireless work, Ken expressed his admiration: “It was amazing how many people Holly touched in ways I never knew about… People would see her carrying the oxygen tank, taking care of the twins, and still showing up for the community. They were inspired to do more, to stop dragging their feet.” When asked about his own legacy, Mr. Edwards said, “I want people to know that I was friendly, I didn’t point the finger at anybody, I didn’t condemn anybody. I just tried to love everybody. Man, that’s what I want. If the church can get that right, guess what? We’ll be full every Sunday.”

Carrying the Torch

In 2017, Holly Edwards passed away, and the community continues to deeply feel her absence, with many still mourning the profound loss of her leadership and compassion. One of her many initiatives still utilized in Charlottesville today is her “Meet Me at the Bus” program, where she stood at the Westhaven bus stop with donuts and fruit, chatting with families as they sent their children to school. This practice has since been adopted by other organizations in the area to foster engagement with community youth and their parents.

Today, Holly’s children continue her legacy in their own ways. Shelby Edwards, a versatile professional, has made an impact in both the performing arts and the nonprofit sector. A performer and teacher in the theater world, Shelby has acted on stages from Virginia to Illinois. In a full-circle moment of legacy, Shelby also became the Executive Director of the Public Housing Association of Residents (PHAR) in 2020, the same organization where her mother once worked as a program coordinator. Now back in the Windy City, she continues her philanthropic work as a Director of Leadership Giving.

Christen, a leader in the education field, is involved in several equitable education initiatives aimed at supporting marginalized students and fostering inclusion. A graduate of North Carolina A&T and UVA, Christen was a part of the inaugural leadership team for  Charlottesville’s first Freedom School, which provides a comprehensive education on Black and Brown history, social activism, and community involvement. She also started the first equity committee in the Charlottesville school district. Christen states, “I wanted to be able to talk about equity, diversity, and inclusion… the voiceless need a voice, and if I’m gonna come back home, I’m gonna give back to Charlottesville because it’s the same community that built me up.” She now serves as a Manager of Research and Evaluation for the National Center for Teacher Residencies, a Chicago-based education organization.

Jean and Saturn, recent high school graduates, are making their mark on the community as well. Jean, currently a student at VCU’s School of Arts for Theatre, said: “I don’t know. I just feel like it’s still very early in my career. Even though I am very young, and like I can speak on some of these issues, I feel like I still have yet to experience all of it. I’m mostly looking forward to being at VCU. I’m a transfer student. I didn’t enjoy my previous college. It was much too small for my taste, and I knew I wanted more.”

Saturn, following in their mother’s footsteps of activism, has become a vocal advocate for Black queer and trans individuals, focusing on visibility and inclusivity within the Charlottesville community. Like their mother, who worked passionately to uplift marginalized groups, Saturn continues this legacy by setting an example of Black queer joy and resilience. “I’m really setting an example for what Black queer joy can look like,” Saturn says. “That’s why I decided to stay [in Charlottesville]… so other Black queer and trans youth can see me on my journey and say, ‘Wow, I can do that and be happy.’”

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Community Community Development History National Headlines

40 Acres and a Lie

A government program gave formerly enslaved people land after the Civil War, only to take nearly all of it back a year and a half later. We used artificial intelligence to track down the people, places, and stories that had long been misunderstood and forgotten, then asked their descendants about what’s owed now.

This story was produced as part of a collaboration between the Center for Public Integrity, the Center for Investigative Reporting, and the Investigative Reporting Workshop.

See the full story on the MotherJones website. 

Black Americans have been demanding compensation and restitution for their suffering since the end of the Civil War.

40 Acres and a Mule remains the nation’s most famous attempt to provide some form of reparations for American slavery. Today, it is largely remembered as a broken promise and an abandoned step toward multiracial democracy. Less known is that the federal government actually did issue hundreds, perhaps thousands, of titles to specific plots of land between 4 and 40 acres. Freedmen and women built homes, established local governments, and farmed the land. But their utopia didn’t last long. After President Abraham Lincoln was assassinated, his successor, Andrew Johnson, stripped property from formerly enslaved Black residents across the South and returned it to their past enslavers.

Over the course of two and a half years, a team of Public Integrity reporters, editors, and researchers identified 1,250 Black men and women who had earned land as reparations after the Civil War. From there, the team conducted genealogical research to locate living descendants of many of those who had received and then lost the land. For the first time, these living Black Americans were made aware of the specific land that had been given to and then taken away from their ancestors.

This project is an unprecedented and innovative use of Freedmen’s Bureau records—an impossible task for most of American history, until recent advances in genealogical research and the digitization of thousands of pages of Reconstruction-era documents made it feasible.

See the full story on the MotherJones website. 

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Community Community Development Food and Drink Health and Wellness History Sonia Montalvo

Carter Farms: A Growing Agent of Change in the state of Virginia

By Sonia Montalvo  I Photos by Kori Price

With a payment of seven hundred and twenty dollars and five cents, Michael Carter Jr.’s great-great-grandparents Jefferson Davis Shirley and Katherine Walker Shirley bought well over 100 acres of land in Orange County, in the small town of Unionville more than a century ago. Carter Farms, one of only 50-plus Black-owned farms in the state of Virginia, is the result of generational stewardship, and the preservation of a family legacy. 

 “Carter Farms, a small operation family farm, is one of three operations The land itself holds three different farming operations.  My uncle raises cattle and pigs. My cousin on his part of the land has Rasta farms and, I have Carter farms.” Michael states that his lineage has a history deeply ingrained in agriculture dating back as far as 1745,

Carter Farms distinguishes itself from other farms in the area through its unique farming practices. After spending five years in Ghana as an  Agriculture consultant, Michael returned to the States in 2017. With plans to grow African vegetables to sell at various Ghanaian and African markets throughout the state, Michael wanted to come back to the U.S. to share what he learned. Seeing his family’s land as an opening to showcase sustainable farming methods learned from his time in the motherland and share his knowledge with the community, Michael embarked on a mission to transform Carter Farms into an example of agricultural innovation and cultural exchange in the Central Virginia region. The farm specializes in growing organic African tropical vegetables and plants such as hibiscus, scotch bonnet peppers, okra, peanuts, and a variety of other vegetables to increase the options for healthy foods available to the public. He exclaims, “One of the things I told myself when I got back, from Ghana [is that] I need to come back and tell this story.  Initially, I thought I would be telling the story of my experiences in Ghana and those stories, those personalities, and individuals, not knowing that the land was telling me, I’d be telling the story of my family, the individuals that resided in and on that land.” Now in 2024, Michael has succeeded in building several branches of sustainable agricultural practices and community outreach initiatives. 

A professor at the University of Virginia and in partnership with his non-profit Africulture, Carter Jr. teaches African-centered agricultural and farming practices. Working with various partners within this endeavor such as the USDA, Future Farmers of America, and others, the idea is to equip people in general, but specifically, people of African descent with knowledge of growing foods to create strong and healthy communities with Carter Farms sitting at the epicenter of it all. Michael also noted that several students, especially those committed to environmental science and legislative policy around the environment.”

Africulture as a non-profit arm also works with  Our Space World, a Maryland Non-Profit, and the National Institute of  Food and Agriculture, to offer the curriculum to African American home school students complete with culturally relevant learning materials to aid in the education of youth on all things environmental justice and farming. Carter Jr. Also works to partner with local businesses such as Black-owned Sweet Vines Farm Vineyard, whom he happens to be land neighbors with. The two have worked together in several different capacities to put together events and workshops for the area. Michael also mentions that the work of the  Sweet Vines owner Seidah Armstrong is a galvanizing and inspirational to so many.   When asked about the driving force behind his collaborative efforts, Michael stated this:

“I follow the fruits of nature, and follow the lead of nature. In nature, you have trees, and right now we’re in the middle of pollen season. Pollen is to pollinate other trees. It provides  nourishment for bees, insects, birds, etc.  And even though it’s an inconvenience to us,  it sustains the larger and broader ecosystem. And nothing in nature works in a silo.  They’re all interconnected. The birds, the bees, the insects, the mosquitoes, they’re all working toward a greater good. Humanity always appreciates it, but that’s what it’s working toward.  At Carter Farms, we kind of adopt the same philosophy of always working together for our own and mutual growth. That “I can’t grow if you can’t grow,”  and I should be aiding your growth as you aid my growth. If I’m feeding you, that means you should be doing something for me,  or I’m helping you out and that would also help out the larger community and benefit me down the road.”

Carter Farms is committed to informing the public about sustainable farming and the positive outcomes that come to people of African descent when implementing healthy produce from Africa into their diets. Michael stated, “I think it’s very important one of the things we’re establishing at the farm is eating for the appetite. People of African descent need to eat more of foods that are  From Africa.  Because they’re  The molecular construction of that food is calibrated to our genetics.  Just how science works.  What you eat from your lineage affects your genetic makeup.” As Carter Farms continues to till the soil of its land with purpose, Michael continues to push for not only regional impact but with sight on generating national influence around becoming a leader in climate-smart advances related to African crops. He hopes that his labor of love can contribute to helping Carter Farms  set the tone as one of the pioneering farms introducing African produce “back to the African American dietary lexicon.” 

Before ending the interview, Carter Farms owner stated that he wanted to send a message directly to the readership of Vinegar Hill magazine about convenience being the killer of the Black Farmer industry. He believes that consumers wanting the perks of grocery store-produced vegetables at cost-efficient prices that come almost table-ready is making it impossible for Black Farmers to compete with the beast of technology.  His message is as is as follows:

“ It’s imperative for Black people to support Black farmers. We’re going extinct and we’re going extinct because our major community is not supporting us. You know, our Black churches aren’t supporting us, our Black families aren’t supporting us, Black consumers aren’t supporting us, and we have to depend upon larger institutions, white institutions, and public institutions to support us because Black people want to buy from us at a  “reasonable and fair price.” When you ask for greens and stuff, you want to get the lowest possible price for the product.  We don’t do that with our phones or our cars.  You’re getting Mercedes Benz quality and you want used Hyundai prices and we need better.  We need our people to really invest in us so we can invest in the health of our community.” 

To find out more about Carter Farms and their work in the Central Virginia area, please  visit their website, thecarterfarms.com.

Categories
Community Community Development Education Entertainment History

Get Involved at Jeff School African American Heritage Center

The Jefferson School African American Heritage Center in Charlottesville, Virginia is offering numerous opportunities for individuals to get involved this year. Whether you’re interested in becoming a docent, volunteering at events, enrolling your child in a class, or becoming a greeter, there are plenty of ways to contribute.

If you’re interested in taking a class, the Eko Ise Classes are a great option. You can also volunteer at the cafe or the greeter desk to help support the center’s operations. Additionally, you can sign up to help plan Juneteenth, a significant event celebrating liberation and freedom.

In collaboration with Whole Theater, the Charlottesville Players Guild presents 24/7, a unique event where seven plays are written overnight, rehearsed all day, and performed for the audience, all within 24 hours. VIP ticket holders will receive two drink tickets and a snack.

The JSAAHC is also preparing for the next Reparations Run on March 2, 2024, which aims to raise funds for various organizations including 101.3 JAMZ, AATF, JSAAHC, NAACP, Prolyfyck, Tonsler League, and Vinegar Hill Magazine.

Don’t forget to stop by the Alumni Room Cafe, located in the same space as Pearl Island. They offer coffee and freshly baked treats to start your day off right. You can also browse their selection of books, t-shirts, and unique gifts.

To get involved, you can click on the provided links or visit the center in person from Tuesday to Friday between 1-6 pm or on Saturdays from 10 am to 1 pm. The staff will be happy to show you around and help you get started on your chosen involvement.

This year is the perfect opportunity to make a difference and be a part of the Jefferson School African American Heritage Center’s important work.

Visit https://jeffschoolheritagecenter.org/ for more information.

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Community Community Development Education History Shelley Murphy

Strategies for Effective African American Genealogy Research

by Dr. Shelley Viola Murphy, Descendant Project Researcher, University of Virginia; featured photo by Emily Faith Morgan

An avid genealogist for over 30 years, Dr. Shelley Viola Murphy, also known as “familytreegirl,” was born and raised in Michigan, and is now living in Central Virginia. She conducts genealogy workshops at local, state, and national conferences. As the Descendant Project Researcher for the University of Virginia, her goal is to locate as many descendants as she can of the enslaved laborers who built the University of Virginia. This involves intense genealogical research on the owners of the enslaved people in Central Virginia and the enslaved laborers from the slavery era between 1800 until freedom. 

Tracing the genealogy of African American ancestors can present unique challenges due to the legacy of slavery and limited access to historical records. However, with the right strategies and resources, it is possible to overcome these obstacles and uncover the rich heritage of African American families. Let’s explore effective strategies that can aid you in combating these challenges and successfully conducting African American genealogy research. African Americans are drawn to genealogy research as a means to reclaim their identity, heal historical trauma, preserve family legacies, connect with extended family, and contribute to a more accurate historical understanding. The rewards of this research extend beyond personal fulfillment, impacting both individual lives and the broader collective memory of African American heritage. 

1. Collaborate with others. One of the most valuable strategies in African American genealogy research is to collaborate with fellow researchers. Joining genealogy groups, online forums, local historical societies, and social media communities can provide a supportive network where knowledge and resources are shared. Engaging in conversations and exchanging ideas can lead to breakthroughs and new research avenues. For example, in the local area, there are three active genealogy groups: the Burke Brown Steppe African American Genealogy Group (BBS); the Central Virginia History Researchers (CVHR)), and the Central Virginia Genealogical Association (CVGA)) Each county, too, in Central Virginia, has a historical society, such as the Albemarle Charlottesville Historical Society (ACHS).

2. Use Cluster Research. Cluster research involves viewing not only the direct ancestors but also the extended family members, neighbors, and community members. By analyzing the patterns and connections within the clusters, researchers can uncover valuable information that may lead to the identification of ancestral relationships and provide essential context for understanding their lives. Always consider who else was in the neighborhood of a direct ancestor.

a hand rests on a monument
A close up shot of the Memorial to Enslaved Laborers, some identified by name and others by profession; photo credit: Emily Faith Morgan

3. Explore DNA testing and genetic genealogy. DNA testing has revolutionized genealogy research, particularly for individuals with African ancestry. DNA tests can reveal connections to distant relatives and provide insights into ancestral origins. Participating in DNA projects and online communities dedicated to genetic genealogy can help researchers connect with others who share common genetic links. I suggest individuals begin with an autosomal DNA test from either Ancestry and/or 23andMe. Autosomal tests consider both your maternal and paternal side of your family. If you are looking to search just your father’s male line or just your mother’s female line, you would look to the Family Tree DNA company for Y-DNA and mtDNA.

4. Look beyond traditional records. While traditional records such as census records, vital records (such as birth, death, marriages/divorces, and adoption), and land deeds are important, African American genealogy often requires going beyond these documents. Investigate oral histories passed down through generations, family heirlooms, and personal collections for hidden stories and valuable information. Additionally, exploring local and regional histories can provide a broader context for understanding the lives of ancestors. In addition, if you research the slavery era period, you will also have to research the slave holders.

5. Utilize social history. Understanding the social history surrounding ancestors’ lives is crucial for African American genealogy research. Delve into cultural traditions, employment patterns, migration routes, and social networks that existed during the time period in question. This knowledge can offer valuable clues for locating records and shedding light on the lives of ancestors.

6. Be patient and persistent. Genealogy research requires patience and persistence, and this is especially true for African American genealogy. Accept that progress may come in small discoveries and breakthroughs rather than dramatic revelations. Maintaining a determined mindset and not giving up in the face of challenges is key to success.

a hand rests in a pool
A stream of water runs over the timeline feature of the Memorial to Enslaved Laborers. Photo credit: Emily Faith Morgan

7. Explore the local area where your ancestors lived. This is a vital aspect of African American genealogy research. Remember to value the resources available at public and university libraries and historical societies. These institutions house a treasure trove of invaluable materials that can greatly assist your research. Within their collections, you may find local history books, newspapers, city directories, and maps that provide insights into the social and cultural context of the community your ancestors were a part of. Historical societies often possess archives with rare documents, photographs, and personal papers that offer glimpses into the lives of African Americans in the area. Additionally, engaging with genealogy groups like BBS and/or CVHR, whether online or in-person, can provide guidance, expertise, and access to specialized resources specifically tailored to African American genealogy research. By taking advantage of these local resources, you can uncover hidden gems and connect with individuals who share your enthusiasm for local history, enhancing your research journey and unearthing invaluable information about your ancestors.

8. Seek professional assistance. If the research becomes particularly challenging, consider seeking assistance from professional genealogists who specialize in African American research. They possess expertise, access to unique resources, and knowledge of specific research methodologies that can help overcome hurdles and advance the research journey. Attending workshops, conferences, and webinars can also enhance skills and provide valuable insights. A collection of webinars I would recommend is “BlackProgen” on Youtube. There are over 100 webinars covering all topics around African American genealogy. The Midwest African American Genealogy Institute (MAAGI) is the only genealogy institute that focuses on African ancestry in the United States. They offer a three-day genealogy institute in July each year.

9. Track timelines. Timelines offer several benefits that can greatly enhance the research process. By logging information in chronological order, timelines provide a visual representation of your ancestors’ lives and the events that shaped them. This organization helps to identify gaps in your knowledge and pinpoint areas that require further investigation. By including what you know and what you are missing on the timeline, you can identify missing records or information, prompting you to delve deeper into specific time periods or locations. This methodical approach can guide your research and highlight potential research avenues. Additionally, timelines can help identify patterns, migrations, and connections between family members or community events that may not be immediately apparent. By visualizing the timeline, you may uncover previously unnoticed relationships or historical contexts that provide valuable insights into your African American ancestors’ lives. Embracing the use of timelines as part of your genealogy research toolkit can bring clarity, structure, and a proactive approach to overcoming common challenges.

10. Share information with others. Last, it is essential to recognize the immense value of people sharing their findings and stories about their African American ancestors. Genealogy research is not just about discovering names and dates; it is about connecting with the rich tapestry of human experiences and preserving the stories of those who came before us. By sharing your findings and engaging in conversations with others who are researching African American genealogy, you contribute to a collective knowledge base that benefits the entire community. Sharing findings can lead to collaboration, where different perspectives and insights come together to unravel complex family histories and break through research’s brick walls. Additionally, sharing stories and personal narratives of your ancestors helps to give them a voice and keep their memory alive. By sharing their triumphs, struggles, and contributions, you contribute to a more comprehensive understanding of African American history and heritage. Ultimately, the act of sharing fosters a sense of connection and solidarity among individuals with similar research interests, and it ensures that the legacy of African American ancestors continues to inspire and educate future generations.

To get involved with local efforts surrounding African American genealogical research, contact the Descendants of Enslaved Communities (DEC) at https://www.descendantsuva.org/.

 

 

 

 

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Community Community Development Education History Hometown Heroes Niya Bates

reReflector 03: Preserving the History of Black Education

by Niya Bates; featured photo credit by author

Thirteen miles northeast of Charlottesville, an unassuming, one-story, white school building with two front doors on either side of a gabled vestibule sits across a paved parking lot from the historic St. John Baptist Church. Though the church has existed there since 1880, the present church building was built in 1919, and added onto over the years. The elementary school was built by members of the community in 1923 to replace an older, one-room schoolhouse that had previously served the community in the years immediately after emancipation (1865). These two buildings are the heart of Cobham’s Black community, where generations of the Byrd, Chapman, Dickerson, Kinney, Mahanes, Payne, and a dozen other families came to be spiritually and intellectually fed. A recent article, “The Reverend Speaks of Roots & Robes,” by Vinegar Hill Magazine’s editor, Katrina Spencer, speaks to the influential and important role that Black churches have played in African American history and culture. However, the focus of this installation of the (re)Reflector column is our historic Black primary schools and efforts to save the ones that still stand today.

a schoolhouse
St. John Rosenwald School in Cobham, Virginia. Photo credit: Niya Bates

During the Reconstruction Era (1865- 1877), in the immediate aftermath of the U.S. Civil War (1861- 1865), the Freedmen’s Bureau, the government agency that was responsible for assisting and protecting newly freed Black Americans and active from 1865 until its unceremonious abandonment by Congress in 1872, established Virginia’s first statewide, free public education system. The Freedmen’s schools only served Black students. Because education for enslaved people had been illegal in some places and highly discouraged elsewhere, children, their parents, and sometimes even grandparents crammed into what were often one-roomed, simple, wooden buildings to learn to read and write. In 1870, Virginia expanded free public education to include all residents. But, the ascendance of the Ku Klux Klan and white supremacist politics drastically slowed the expansion of schooling for Black communities, especially in rural areas.

students in a one-room classroom
Students and their teacher, possibly Ethel Nicholas or Bernice Ferguson, at the Cismont Training School, not dated. Source: Albemarle Charlottesville Historical Society

By the 1910s, there were wide gaps in schooling between white and Black students throughout the country. White enrollment in public schools had skyrocketed after federal Reconstruction started in 1865. Yet, school enrollment in the South continued to lag behind the rest of the country, and Black schools rarely received adequate public funding for school buildings, teachers, or books. Booker T. Washington, who was a graduate of the Hampton Normal and Agricultural Institute (now Hampton University) and founder of Tuskegee Normal and Industrial Institute (now Tuskegee University), partnered with Julius Rosenwald, a philanthropist and co-owner of Sears Roebuck, to establish a fund to support constructing school buildings throughout the South. From 1917- 1932, the Rosenwald Foundation supported the construction of over 5,300 schools, shop buildings, and teachers’ houses. In the later years of its operation, the Rosenwald Foundation also provided grants to Black scholars, writers, and artists including photographer Gordon Parks, opera contralto Marian Anderson, writer Ralph Ellison, and poet laureate Rita Dove. The one-of-a-kind partnership between Tuskegee University and the Rosenwald Foundation resulted in modern, state-of-the-art school building plans that were designed by Black Tuskegee architects and distributed to communities throughout the country. Community participation was written into the rural school building fund, and in order to receive funding and school plans, public school boards were required to contribute their own funding in addition to any money contributed by local Black communities and the Rosenwald Foundation. The Tuskegee-Rosenwald program supported the construction of 382 schools and support buildings in 79 counties in Virginia. Most of them were open until Virginia’s school systems were forced to integrate after the 1950s’ era of Massive Resistance, which was an attempt by Virginia lawmakers to circumvent school integration that resulted in the closure of Charlottesville City Schools in 1958. 

The school plans were designed to be replicable so that as many communities as possible could have well built schools. Tuskegee architect Robert Robinson Taylor created a distinctive and now iconic layout of banked windows to capture the most daylight while reducing glare on student desks inside the classrooms. Sliding, accordion-style partitions allowed for multiple activities or classes to exist within the same space without distraction. One, two, and three-room school plans featured doors and windows that were positioned to create cross-ventilation and air flow. Shop buildings provided workspace for normal and technical education, which was intended to prepare students for work in the skilled trades within their communities. Teachers’ housing provided accommodations for educators to move into, often in isolated, rural communities, to live near their students.

When school integration shuttered Tuskegee-Rosenwald schools and other historically Black schools throughout the country, local Black communities became the first to rally to save them. In Albemarle County, St. John School and Cismont Training Schools were converted to private homes. Yancey Elementary School and Jefferson School became community centers. Others, like the Rose Hill Elementary School in Milton, sat vacant under the watchful care of the churches next door while people dreamed of having the resources to restore and rehabilitate them for other uses. Even with their herculean efforts, many of these important historic schools fell into disrepair and neglect as children and their families moved away in search of better opportunities, marriage prospects, and exposure to new places.

In the past decade, historic preservationists – people who work in the professional field dedicated to saving historic buildings and landscapes and enthusiasts from all walks of life – have begun working earnestly to save historic Black schools. Preservation Virginia, Virginia’s statewide historic preservation education and advocacy group, listed all of Virginia’s surviving Tuskegee-Rosenwald schools among the state’s most endangered historic resources in 2013. Because the Tuskegee-Rosenwald schools were part of a well known building campaign with a distinctive architectural style, they have benefitted the most from new preservation initiatives. However, all historic Black schools are invaluable resources in the telling of Virginia’s history. While I can’t highlight all of the projects here, I want to share a few notable examples and encourage readers to get involved with this movement.

St. John School

people stand near a ground marker
St. John School alumni at the dedication ceremony for their historic highway marker in 2016. Photo courtesy of Rebecca Kinney

I recently had the pleasure of talking with Kelvin Hawkins, Pastor of St. John Baptist Church, and Rebecca Kinney, an alumna of the St. John School, about their ongoing effort to restore the school and convert it into a family life and fitness center. The church purchased the school in 2003. Since then, Pastor Hawkins and Rebecca Kinney have formed a non-profit organization to leverage grant funding from Preservation Piedmont and the Building Goodness Foundation. This year, the St. John School is celebrating its 100th year, and Pastor Hawkins is brimming with enthusiasm to commemorate the occasion. Hawkins, whose mother attended the St. John School before going to high school at Albemarle Training School, said he was initially anxious about preserving such an important and overlooked part of Cobham’s history. He says, “a conversation with Jim Hare of Virginia’s Department of Historic Resources reassured us. He told us to split the project into phases, which is exactly what made us so successful.” Ms. Kinney’s mother also attended St. John in the first years that it was open and Rebecca was part of the last class to attend once schools integrated. When asked what she hopes people take away from visiting St. John, she replied, “I hope that things like our memorial patio and the restored classrooms will tell a story of how everyone was involved. It took a village to build it back then. Everyone was involved.” Additionally, she hopes for St. John School and the history of Booker T. Washington’s partnership with Julius Rosenwald to become part of our local K-12 curriculum. Speaking on the legacy of the school, Ms. Kinney remarked, “A school that was intended to keep us separate will unite us and sustain the community.” They will celebrate the school’s 100th anniversary later this fall once restoration work has been completed.

Pine Grove School

a school amongst trees
Pine Grove School in Cumberland County, Virginia. Photo credit: Niya Bates

While communities like Cobham (home of the St. John School), Charlottesville (home of the Jefferson School), and Esmont (home of the Yancey School), have had the luxury of time to be strategic in their preservation journey, others have been forced into action because of immediate threats. Such is the case for the Pine Grove School in Cumberland County, where alumna Muriel Miller Branch, her daughter Sonja, and a dedicated team of family, friends, and allies have come together to fight back against a planned mega landfill. 

people stand indoors near an exhibit
Pine Grove School Alumni pose next to a history exhibit in the school after readying the classrooms for an event. Photo credit: Niya Bates

Pine Grove School was one of five Tuskegee-Rosenwald Schools that was constructed in Cumberland County. The two-room school served grades one through seven with students seated by age and grade level. Mrs. Branch attributes her lifelong success as an educator and writer to the headstart that she received at Pine Grove when her teacher, Mrs. Gilliam, allowed her to join her older siblings at school a year before she was eligible to enroll. Branch formed the AMMD Pine Grove Project non-profit in 2018 to purchase the school and mount an environmental justice campaign against the Green Ridge Landfill. What originally started as a project to reclaim her family’s history in deeply rural Cumberland County, has evolved into a fight for the soul of historic preservation. Her daughter, Sonja Branch-Wilson, recently completed a fellowship with Preservation Virginia and is pioneering new ways to collect Black rural history through digitizing church programs and obituaries. They have already made an indelible impact by coining the “Tuskegee-Rosenwald” moniker that I have used throughout this story. In April, just after Booker T. Washington’s birthday, the AMMD Pine Grove Project erected a historic marker and celebrated the occasion with alumni and dozens of supporters. They have even formed a Youth Council to serve as tour guides of the site. Next, they plan to undertake the slow and tedious work of creating a rural historic district. 

Each of the two schools above and their respective communities of alumni and descendants are working against the clock to preserve not only their school buildings, but the rural communities who built and depended on them. As Pastor Hawkins remarked in our conversation, the Tuskegee-Rosenwald Schools are an important part of United States history. Many living alumni of these schools are now in their 70s and 80s, and the time to collect their stories is now. Readers can get involved by recording oral histories of the elders in their communities; volunteering at the St. John School, Pine Grove School, Jefferson School, and others; and donating time and resources to the organizations that are preserving the history of Black schools. Lastly, schools like Pine Grove that are facing environmental justice battles, need community members to lobby elected officials for stronger environmental protections in vulnerable rural communities and for more robust investment in historic preservation.

 

Categories
CIM Project Community Development Education Entertainment History

What is Our Why? A Video Short about Vinegar Hill Magazine

In this video, Eddie Harris, Katrina Spencer, Angilee Shah, Charles Lewis and Sarad talk about Vinegar Hill Magazine. This video short explores why Vinegar Hill Magazine came into existence in the first place and about its growth over the years. It also, speaks to the Charlottesville Inclusive Media project, a partnership between Vinegar Hill, Charlottesville Tomorrow, and the In My Humble Opinion radio show. Learn more about how Vinegar Hill is leaning into its mission of creating a more inclusive social narrative in Central Virginia and beyond.  (Video produced by Lifeview Marketing and Visuals)

Categories
Community Development Education Entertainment History Hometown Heroes Niya Bates

(re)Reflector 02: A Queen Celebrates Juneteenth and Black Freedom

by Niya Bates and Ms. Maxine Holland

If you’ve attended a Black cultural event in Charlottesville, chances are you’ve seen Ms. Maxine Holland adorned in regal West African prints, with a gele (Nigerian) or duku (Ghanaian) head wrap crowning her head as she danced around the room educating people about Black history and culture. Or, perhaps, you were on the receiving end of a stern word of correction in Ms. Holland’s classroom. As her much younger cousin, and also a former student, I have seen and experienced the full breadth of Cousin Maxine’s zest for life, love for our family, and passion about our history. In every encounter, her voice and distinctive affect fill the corners of each space that she enters. Few people can command a room the way that Ms. Maxine Holland does. She is and has always been royalty within our community – a queen in all respects – and I’m not just saying that because I’m family.

five women pose in skirt suits at homecoming in 1967
Ms. Maxine Holland is crowned Miss Homecoming and poses with her attendants at Jackson P. Burley High School in 1967. The photo is from the high yearbook, Jay Pee Bee.

Born in the unincorporated community of Cobham in northeastern Albemarle County, Ms. Holland came of age during the era of segregation. She attended the three-room Keswick Elementary School and later Rose Hill Elementary School. In 1967, she graduated from Jackson P. Burley High School as part of the last class of graduates before Albemarle County integrated schools. She was also Burley High School’s last homecoming queen. After high school, Ms. Maxine remained at home to help her disabled mother. During that time, she worked a variety of jobs and developed a passion for working in the community. Through her many roles, she engaged community members of all ages and contributed to a diverse and vibrant African American community as church clerk at St. John Baptist Church, a troop leader for Girl Scout Troop #8, a volunteer for Johnson Halfway House, and Campaign Manager for Shirley Chapman, the first African American to seek a position on the Board of Supervisors in Albemarle County in 1970. Ms. Holland  also launched numerous community initiatives including tutoring sessions for children in Cobham in nearby neighborhoods, teaching dance and rhythmic activities to preschoolers, conducting exercise classes for adults, organizing programs to raise awareness of Sickle Cell Anemia, and celebrating Pan-Africa Day (1970).

a teacher supervises students
Ms. Maxine Holland tutoring students at St. John Baptist Church in Cobham, Virginia, 1970

Ms. Holland was accepted to Hampton Institute (now Hampton University) in 1972. That academic endeavor did not prevent her, however, from continuing to care for her mother. Every weekend, while in college, she traveled the 139 miles from Hampton to Cobham to relieve her grandmother, Mrs. Elsie Byrd, and other family members that were managing her mother’s care throughout the week. Unfortunately her mother, Susan Holland, made the transition before she graduated.

One year after completing a bachelor of science degree in physical education, she was offered a teaching assistantship at Hampton University. That position helped to pay tuition for a master’s degree in health education. Following graduate school, her journey as a teacher started. She held teaching positions at Kentucky State University, Spelman College, Gideons Elementary School (Atlanta, GA), Yancey Elementary School, Albemarle High School, and Fluvanna County High School. Her experiences in both segregated and integrated communities underscored the central importance of linking teachers, parents, and community in a triangle of advocacy in order to successfully educate a child. She honors Black teachers and their educational strategies that developed generations of successful Black men and women, in spite of segregation. Ms. Holland maintains that the wisdom and strategies of Black educators were lost during the era of integration, which catapulted Black children into settings designed to arrest their cultural, social, and intellectual development. Therefore, at every level of education, she found herself incorporating some of the methods and strategies used by her teachers, especially their classroom management techniques. In addition, she integrated Black history into all subjects. She was more concerned with preparing students to function beyond the classroom with a sense of character and self-sufficiency than training them to get jobs and become consumers. Ms. Holland quips that she could speak at length about Black self-sufficiency, but that’s for another day.

a teacher with a large group of students
Ms. Maxine Holland with Men on a Mission participants in Reverend Dr. Calvin Butt’s Office in Abyssinian Baptist Church of Harlem, 1998

Prior to leaving public education, she founded and directed Men On A Mission, a club designed to help raise the level of consciousness among young African American men. With the help of Diallo Sessoms, Brian Wilson, James Bryant, Greg Davis, and Harold Boyd, Black male youths partook in many cultural and historical experiences, including traveling to some major cities to see how their ancestors had contributed to the overall growth and development of the United States. Accompanied by Ms. Holland and others, the club visited Harlem (NYC), Atlanta, Birmingham, Montgomery, and Selma where they toured cultural centers like the Schomburg in Harlem and historic Civil Rights Movement sites like the Edmund Pettus Bridge in Selma. As a result of Men on a Mission, Ms. Holland believes the young men were able to move through time and space with a greater sense of competence, confidence, character and courage. She later founded and directed The Shule (shoe-lay) Society, a rites of passage program for young Black women intended to help them navigate the challenges of life while maintaining peace and harmony in their lives. Around the same time, she organized and served as Facilitator of the Family Council at The Cedars Nursing Home, which was a support group for nursing home residents and their families.

After twenty-eight years of teaching, Ms. Holland retired in 2015 but kept her passion for working in the community. She will tell you that her motivation for doing community work is an attempt to continue the tradition & legacy of women who were servant-leaders during segregation and worked tirelessly to help meet the needs of the community. Ms. Holland credits the following women for inspiring her: Mrs. Ann Dickerson, Mrs. Shirley Chapman, and Mrs. Susan Holland (all of the Cobham Community); Mrs. Sally Turner and Mrs. Bernice Mitchell (Cismont Community); Sis Elizabeth Washington (Keswick Community); Mrs. Virginia Carrington and Mrs. Grace Tinsley (Charlottesville). 

In 2000, Mrs. Tamyra Turner organized the first Juneteenth celebration. Ms. Holland was asked to be a presenter. Her presentation was about some of the dances that originated on the plantation like the Cake Walk, Juba, Ring Shout, Jig, Buck and Wing and demonstrated how movements in those dances mimic dances that evolved in the 1950s and 1960s. Starting in 2001, she helped Mrs. Turner plan and organize the Juneteenth celebrations. From 2001-2015, the celebrations were held on the campus of Piedmont Virginia Community College. Then, in 2016, the celebration moved to the African American Heritage Center in collaboration with Dr. Andrea Douglas.

four women dressed in traditional West African garb
Ms. Maxine Holland (2nd from left) during a reenactment of village life in Togo, Ghana, and Nigeria during the 2003 Juneteenth program at Piedmont Virginia Community College (PVCC)

Juneteenth is among the oldest celebrations of freedom in this country. The celebration originated in Galveston, Texas on June 19, 1866, and its name is derived from blending June and nineteenth – the date in 1865 that U.S. Army Major General Gordon Granger arrived in Galveston to read a proclamation announcing the end of the Civil War and the freedom of those who remained enslaved. The celebration grew out of the euphoria surrounding the transition from slavery to freedom. It also represents the joy of freedom and the chance for a new beginning. As a historical note: slavery did not end for all enslaved people at the same time because the Emancipation Proclamation of 1863, issued by then President Abraham Lincoln, was not recognized in the confederate states that had seceded from the Union. Thus, the American Civil War brought about freedom for nearly four million people. Depending on what state you’re in, Juneteenth might alternatively be known as Liberation Day, Emancipation Day, Jubilee Day or Freedom Day. In Charlottesville, we celebrate Liberation and Freedom Day on March 3rd. Juneteenth became a federal holiday in 2021.

Juneteenth celebrations throughout the country typically feature song and dance, parades, historical demonstrations, and ceremonies honoring Black veterans. Drawing from the Black power and Pan-African movements, Juneteenth celebrations feature the colors red, green, black, and blue prominently. This includes the food! Favored Juneteenth foods include red velvet cakes, red punch, tea cakes, sugar cookies, soul food, barbeque, and foods representing luck and abundance in Black culture, for example greens and black eyed peas. All of these festive elements have been part of our local Juneteenth celebrations over the years.

a woman dances with drummers in the background
A woman dances to African drumming during the 2019 Juneteenth event at the Jefferson School African American Heritage Center.

Over the years, Ms. Maxine Holland has been adamant about maintaining the historical significance and integrity of Juneteenth. She ensured that the presenters, activities, and overall content were relatable and relevant. Last year’s celebration was among the best. It included a parade with over 300 participants, lots of dancing, singing, socializing and Black joy. Celebrating life in a nation seemingly dedicated to Black suffering and death helps to make Juneteenth so very special because not only do we celebrate freedom, but also Black joy in the process.

After 20 years of planning and organizing, Ms. Holland “passed the baton” to the next generation. She encourages Black families to start a tradition of celebrating Juneteenth – host a cookout, play baseball games, share family history– and encourages us not to rely on an outside source to plan the celebration. By doing those things, she hopes Black communities can resist the commercialization and appropriation of Juneteenth by other audiences.

a woman speaks at a podium to a youth
Ms. Maxine Holland (center) with Sgt. Major Keyana Washington (right) during the Veterans Day celebration in 2022.

While there are many more reasons to give this queen her flowers, her work to raise awareness of and to celebrate Black culture locally remain paramount. In 2015, Ms. Holland became co-founder of the Veterans Committee of Central Virginia. Its Mission is to more fully contextualize and honor through education the often overlooked stories of Black military service in the United States Armed Forces, past and present. Each year, the group hosts a commemoration of the African American military experience. This year will mark its ninth year. While Ms. Holland is leaning into her well earned retirement, she plans to continue as executive director of the Veterans Committee.

Ms. Maxine Holland believes that many of the problems that plague the Black community can be countered by educators and leaders who have a clear sense of history, culture, identity, group unity and self-determination. She further encourages Black folks to study our history. Paraphrasing from Carter G. Woodson, the “Father of Black History”, Ms. Holland writes, “if a people had no recorded history, its achievements would be forgotten or ignored and eventually claimed by others.” She continues, “If you destroy the history, you destroy the evidence. Don’t let that happen.”

Categories
Community Development History Naila Smith Travel

Exploring Black Brussels: A Trip to Matongé

by Naila A. Smith, PhD

a map of Europe
On this map of Europe, Belgium is depicted in dark green.

I recently visited Brussels, Belgium, a small country in the west of Europe, nestled between France, Germany, Luxembourg, and the Netherlands. Belgium is often called the “battlefield of Europe” due to its central and strategic location which led to several invasions during World War I and II. Notably, today, Belgium is the site of the headquarters of the European Union (EU), and is a multicultural hub with Flemish (Dutch), French, and English as its three official languages.

On my trip, I visited Matongé, a predominantly Black neighborhood located in the Ixelles municipality which lies just on the outskirts of Brussels city center, sandwiched between the wealthy European Quarter and the exclusive shopping street, Avenue Louise. The area is named after a vibrant district of the same name in Kinshasa, Democratic Republic of Congo (DRC), a former Belgian colony.

a map of Africa
On this map of Africa, the Democratic Republic of the Congo (DRC) is depicted in dark green.

The history of Belgium’s colonization of the DRC is short and brutal. Leopold II was a monarch in Belgium from 1865 to 1909. During that time he made Congo Free State (now known as the DRC) his personal colony in the name of “civilizing” the people. His savage brand of civilization resulted in the murder of over 10 million Africans and mutilation of millions more. In 1908, other European rulers deemed Leopold II’s reign too cruel and Belgium took over the country, renaming it Belgian Congo. 

In 1960, after a period of armed conflict, the area formerly known as “Congo” won its independence becoming known as the Republic of Congo. It was during this time that Congolese migration to Belgium increased and Matongé grew in size and importance to African migrants. 

Notably, in Matongé, there is a square named after the first Prime Minister of the Republic, Patrice Lumumba. Lumumba was an African nationalist and pan-Africanist, who led the Congolese National Movement from 1958 to 1961 until he was assassinated in a U.S.- and Belgian-sponsored plot.

Today, immigrants make up about 16.6% of Belgium’s total population of 11.5 million people. The majority of the immigrant population consists of EU migrants and the three largest non-EU immigrant groups are from Morocco, Turkey, and the DRC.  

Matongé has also changed over the years. The area is now populated with immigrants from all over the African continent, such as Rwanda, Burundi, Mali, Cameroon, and Senegal. About 6.3% of immigrants to Belgium are of African descent, though most are from the DRC. 

a beauty supply store
A chain beauty supply store, a staple of any Black neighborhood

One of the first things I noticed when we got off the bus at Porte de Namur and entered Matongé was the Black beauty supply store. The next thing I noticed were the food markets selling fresh produce of tropical foods like green bananas, plantains, and root vegetables. There were several such stores along Chaussée de Wavre, one of the main streets in Matongé. 

As a Jamaican immigrant to the U.S., who has lived in white, rural America for over half a decade, the easy access to cultural food, hair products, and Black hairdressers struck a chord with me. For anyone who has ever visited immigrant neighborhoods anywhere in the world, these common markers are signs of placemaking, creating a home away from home.

Many restaurants and bars featuring cuisine from Congo, Senegal, Rwanda, and other African nations also line the streets of Matongé. On the weekends some venues offer live entertainment such as drumming, adding to the vibrancy of the area. For instance, L’Horloge du Sud (The South Clock), is one popular spot known for its crocodile steaks and cultural and music events. 

Other notable sights in Matongé are Vendôme, an Arthouse cinema that seeks to promote cultural diversity and, according to its slogan, “Cultivate Emotion!” There is also Kuumba – Flemish African House, a cultural center that seeks to bring together African and Flemish cultures through workshops on African dance, percussion, language, as well as exhibits, films, and live music and poetry. Here, you can also book an experienced tour guide to show you the neighborhood. 

a statue
A statue entitled “Au-delà de l’espoir” (“Beyond Hope”) by Freddy Tsinga

Another sight to behold, nestled on the corner of Chaussée de Wavre and Longue-Vie streets, was a statue entitled Au-delà de l’espoir (Beyond the hope) by Freddy Tsinga, a Congolese artist. This piece is the first art by an African artist to be installed in a public space in Brussels. It depicts a mother holding up her mutilated child. The statue is made out of bronze and iron. Except for the child and mother’s face and feet, it is made out of the shell casing of bullets fired from the scene of conflicts, mostly from conflicts in the DRC.

Unfortunately, armed conflict in the motherland is not the only worry for Black people of immigrant origin in Belgium. Because anti-Black racism is a global phenomenon, racism in Belgium is prevalent. Black Belgians face systemic discrimination, which has led to disparities in education and employment outcomes: immigrants and their children are overrepresented in the lowest levels of educational attainment and in the lowest paid jobs. Black people in Belgium also contend with interpersonal experiences of discrimination and police violence. These long standing experiences have fueled protests in recent years, calling for the removal of statues of Leopold II and improvement in the social and economic conditions of Black people in Belgium.

headshot of a man
A headshot of Afro-Belgian singer Stromae

A small part of that improvement includes increased representation of Black Belgians in social, cultural, and political life. There is some evidence of this change. For instance, Stromae, a popular singer, rapper, songwriter, and producer, born in Brussels to a Rwandan father and Flemish mother, has taken his unique blend of hip hop and electronic music global. There is also Vincent Kompany, the famous Belgian footballer who is a former Manchester City and Belgian national team captain, who now manages a Belgian football team. And, finally, Vincent’s father, Pierre Kompany, a former student activist who was detained in a military camp in the DRC by Mobuto Sese Seko, was elected as Belgium’s first Black mayor in 2018. Kompany, and other Black Belgians like him, continue to work to resist oppression, assert the dignity of their humanity, and create a space and a home for themselves in Belgian society.

Categories
Community Development History Hometown Heroes Niya Bates

(re)Reflector 01: The Black Press

by Niya Bates

Growing up in the 1990s, I used to cut posters out of Hype Hair, Jet, and WordUp Magazines while I waited for my mom to get her hair done at Ebony Images hair salon in Charlottesville’s Seminole Trail Shopping Center. Thinking about it evokes a series of memories that are accompanied by the smell of hot hair curlers, the feel of sticky residue from Motions hair spray on the magazine pages, and the sounds of 92.7 Kiss FM when it was our area’s only R&B and hip-hop radio station. Back then, if you wanted to know which fashion was hot (or not), which hair styles to emulate, and get your fill of all the celebrity gossip, you had to read it in Black magazines. The Black press of my childhood was a vital vehicle for the taste-making that Black people were doing in every arena, whether it was music, dance, art, culture, or even politics. The rise of social media (especially TikTok and Twitter) and other digital publications has changed the game for Black newspapers, magazines, and other print media, but they remain a source of inspiration for me. In tribute to these and Charlottesville’s first Black newspaper published in the early 20th century, The Reflector, I have named my new column for Vinegar Hill Magazine “(re)Reflector.” It will be our space to celebrate the power and breadth of our local Black history.

Background on the Black press

In the decades immediately after the United States’ Civil War (1861- 1865), Black Americans viewed literacy as a key tool for uplifting our people. Black scholars and entrepreneurs, those with capital and access to printing presses, used newspapers to reach Black communities throughout the country. Their goals were to use the collective power of the Black press as a venue for fighting back against false stereotypes, promoting Black-owned businesses and products, spreading the ideas and platforms of Black politicians and thought leaders, promoting healthy homes and people through columns written by Black women’s organizations, encouraging freedom of movement by highlighting work opportunities outside of the South, showcasing Black artists and poets, and so much more. The Black press was as much gossip and hot topics as it was a tool and vehicle for Black political organizing and social uplift.

a man seated at a desk
Frederick Madison Roberts (1879-1952) at his desk in the California legislature. Image courtesy of the Oakland African American Museum and Library.
Portrait of William Monroe Trotter (1872-1934). Image courtesy of the Getting Word African American Oral History Project at Monticello.

While Black pop culture magazines of the 1990s and early 2000s were what drew me toward learning about Black media, our local ties to some of the country’s largest Black newspapers at the turn of the 20th century compelled me to learn more about the Black press in Charlottesville. In Boston, for example, prominent early civil rights activist William Monroe Trotter ran one of the country’s most influential Black newspapers called The Boston Guardian from 1901 until shortly before his death in 1934. William Monroe Trotter was a founding member of the Niagara Movement, a predecessor to the National Association for the Advancement of Colored People (NAACP), along with widely renowned civil rights activist W.E.B du Bois. His Boston Guardian paper survived until 1950. On the West Coast, Frederick Madison Roberts,California’s first Black elected state official, ran the New Age Dispatch, one of the first major newspapers to service the rapidly growing Black population in Los Angeles, from 1912 until 1948. Though neither of these men were born in Charlottesville, both men are descendants of Elizabeth Hemings, one of the matriarchs of the enslaved community at Monticello. To learn more about Trotter and the power of the Black press, you can read historian Kerri K. Greenidge’s book Black Radical: The Life and Times of William Monroe Trotter. You can also read more on the Black Press by following the work of the Black Press Research Collective (@BlackPressRC on Twitter) and read more examples from the Howard University Black Press Archives (@HU_BlackPress on Twitter).

a photograph of a newspaper

A cropped detail image of the masthead of The Reflector newspaper. Image source: The Reflector, Albert and Shirley Small Special Collections Library, University of Virginia

The Reflector

The Reflector was Charlottesville’s first Black newspaper. Edited by Thomas Jerome “T.J.” Sellers, the paper was published on a weekly basis from 1933 through 1935. Sellers’ stated aims for the publication were to “reflect the progress of our community and Race.” Sellers wrote stories about the Jefferson School, Charlottesville’s Social Clubs, and some of the area’s elite Black families, including the Tonslers, Inges, Jacksons, Bells, and Coles. Like other Black newspapers of the era, Sellers’ paper was biased toward the elite “talented tenth,” so called by W.E.B. du Bois, showcasing intellectuals and those who were well to do; but the few remaining copies of the paper still reveal a lot about the rank-and-file members of Black Charlottesville society who had fewer educational opportunities and were part of a less privileged socioeconomic class. There were great debates between middle and upper class Black elites and the largely poor and working class laboring masses about how to best position Black Americans for success against the backdrop of Jim Crow.

a man with glasses
Thomas Jerome Sellers (1911-2006) was editor and proprietor of Charlottesville’s first Black newspaper The Reflector. Image courtesy of the Bridge Builders Project of Charlottesville.

Historians from the Carter G. Woodson Institute for African and African American Studies at the University of Virginia (UVA), including Scot French and the late Reginald D. Butler, were keenly interested in the stories about Black life and history in Charlottesville that were contained in the few surviving issues of The Reflector. They published a limited number of transcriptions as part of their “Race and Place” project in the early 2000s. Around the same time, two Charlottesville entrepreneurs, Corey Carter and Waki Wynn, revived the paper under the name The African American Reflector and published it on a bi-monthly basis from 2003 until 2005.

Why (re)Reflector?

My new (re)Reflector column is another attempt to capture the essence of what T.J. Sellers put into motion ninety years ago this year. The name (re)Reflector gives what it needs to give for several reasons. First, it pays homage to Sellers and his vision of progress and uplift for Black Charlottesvillians. Second, it speaks to my professional work as a historian who studies the past, and my identity as someone in a constant state of reflection about our collective pasts, presents, and futures. And finally, it pushes back against the idea that our Black history is “lost” or “hidden” or any other word that attempts to downplay how aggressively certain groups have tried to suppress our voices. We haven’t forgotten a thing, and we have all of the receipts. (re)Reflector is guided by my belief that all energy put out into the world is never lost. It is simply converted to another form or reflected. I hope that (re)Reflector will embody the power and spirit of our local Black press and Black media, and I hope you’ll enjoy it as I use this space to highlight local stories from our past.

Categories
Business Channing Mathews Community Community Development Food and Drink History Hometown Heroes

Community Cornerstones: Mel’s Cafe

the façade of a restaurant
The façade of Mel’s Café. Photo provided by Channing Mathews

by Channing Mathews

This month my journey through the Black food and wine-ways of Charlottesville led me to Mel’s Café on Main Street, run graciously by its dedicated, self-taught chef and owner, Mel Walker. Mel is no stranger to food reviews, as he has been featured in both local and national news as a go-to spot for visiting foodies. ​​Working in kitchens since 11-years-old and cooking alongside his mother well into her 70’s, Mel reminds us, “I’m not just a soul food place. I’m American food,” which is clear from the extensive and reasonably priced menu he offers each patron.

Born and raised in Charlottesville and a former resident of Vinegar Hill, I was not surprised  that the space facilitates immediate community. While Mel is the heart, it’s the people drawn to his spot that make it home. “I’ve made friends with a lot of folks from UVA and they bring their families. I like that part of it.” It’s a small, humble space where you feel a mix of grease and love cooked into the walls. Images of Mel’s family enrich the space with joy in spite of the grief and challenges that the Mel’s café has endured over the years, most recently being the death of Mel’s younger brother Arthur “Bun” Walker, who worked alongside Mel to feed the community.  

a wall full of pictures
On display at Mel’s Café is a wall of photographs of biological and chosen family. Photo provided by Channing Mathews

It reminds me of my grandmother’s kitchen, where something was always brewing on the stove, and someone was always walking into the house to say hello and get a li’l something to take to their next destination. From flyers of local community events, to the wall of both biological and chosen family, what’s clear about this little restaurant is its role as a cornerstone of the Charlottesville community. Mel serves many locals across the socioeconomic spectrum—from the homeless to the wealthy, Mel welcomes all within his doors and serves everyone with a bright smile and seasoned plates. He even stayed open during the tragedy of August 11, 2017 when a white supremacist gathering turned fatal in Charlottesville. “I ain’t close for that…they shut down the whole downtown. I had people calling me, telling me to close. And I said, ‘I’m not closing up. I ain’t gon’ bother them and they ain’t got no reason to bother me. And I didn’t have no problems. Anybody who came in, they got fed.”

But keeping a small business open is no small feat. As one of the last Black-owned businesses standing on Main Street, Mr. Mel recalls a time when he had few white patrons because the area was considered dangerous as a Black neighborhood. But Mel’s Café still remained popular: “When I first opened, I sold beer, wine, and food. And I had a jukebox. It was all Black then, and people ain’t wanna go home! They played the jukebox and drank beer and wanted to stay all night.”

Entering Mel’s is walking into a living piece of Black history. Once a premier photoshop owned by Mr. Rufus Holsinger, the space hosted over 500 members of the Black Charlottesville community, capturing images of Black life in Charlottesville through portraits of its people in the early 20th century. More recently, the building of Mel’s Café was once known as The Duck Inn, which was owned by a Black couple who were also known for their amazing fried chicken, suggesting that the loving smells of hot grease and seasoning are literally embedded within the walls of the tiny building.  

a meal
A plate of Mel’s freshly fried chicken and a salad. Photo provided by Channing Mathews

Despite it being 10:00 a.m. on a Tuesday, I knew I just couldn’t leave without sampling the crispy fried chicken that Mel always cooks to order. A combination of his self-taught skills and his grandmother’s recipe, Mel informs me that my plate will be ready in about 15 minutes. I hear him bustling in the back kitchen and listen carefully for the sizzle of the chicken dropping. Almost 15 minutes on the dot, Mel brings me a fresh plate of hot chicken, fresh out of the grease. It’s too hot for me to dig in, but the picture doesn’t quite do it justice.

 The first thing I notice about Mel’s chicken is the CRUNCH. The delightful crunch is just the starting point to this traditional southern fried chicken. Shamelessly I huff and blow while chewing, trying to cool the hot bits in my mouth. But even that does not prevent me from getting a good taste of the seasoning, which is light but tasty and fresh. After scarfing down my meal, I eat a salad with the hopes of staving off the food coma, otherwise known as the “-itis,” that is sure to come in about an hour.

 While dining at Mel’s was a local treat, the best gift was the smile and hug Mr. Mel Walker gave me as I thanked him for the interview. “Make sure you come back and bring your friends!”

I was indeed back the following week with my partner, excited to enjoy Mel’s warm presence and delicious food after a long work week.

Categories
Arts Community Community Development History Hometown Heroes Naila Smith State Of The City

Raised/Razed: A Documentary Film on Vinegar Hill

by Naila A. Smith, PhD

“Raised/Razed” is an hour-long documentary film produced by the VPM Media Corporation and written and directed by Lorenzo Dickerson and Jordy Yager–natives of Charlottesville, Virginia. Made over the course of the pandemic and first released on April 30, 2022, the film tells the story of two Black neighborhoods, Vinegar Hill in Charlottesville and Hayti in Durham, North Carolina, where homes, businesses, and public institutions were intentionally demolished (i.e., razed) in the 1960s as part of the Urban Renewal program.

Urban Renewal was a federal program from 1949 to 1974 that seized and destroyed private and public properties in over 600 municipalities, across the U.S., such as Atlanta, Georgia, Chicago, Illinois, and Philadelphia, Pennsylvania, to make way for modernization to spur economic progress. The film highlights the disproportionate effects of Urban Renewal on the African American community: despite being only 10% of the U.S. population at the time, over 50% of the people affected by the program were African American. 

a man sits at a desk with documents
Fillmaker Jordy Yager scans historical documents at the Albemarle Charlottesville Historical Society. Photo Credit: Jordy Yager

Though much of the documentary focuses on Vinegar Hill, Dickerson and Yager included Hayti to highlight that Urban Renewal impacted both large and small African American communities. 

The first half of the film focuses on daily life in Vinegar Hill before it was razed in 1964. Dickerson, who grew up hearing stories of Vinegar Hill, noted how these childhood stories of a vibrant community were erased by narratives of Vinegar Hill that focused only on its destruction. 

Through contemporary and oral history interviews, historical records, geographical maps, and photographs, the film paints a vivid picture of the Vinegar Hill community as a hub of Black social, economic, and cultural life in its heyday. For about 100 years, over 500 of its residents gave birth, raised children, lived, died, and left legacies there. Captured in the first half of its name, Raised, the documentary film deeply underscores the neighborhood’s humanity and rich cultural legacy, and takes its time to tell these stories. 

Notably, there were interviews with the mother and daughter duo, Verlease Bell and Deborah Bell Burks, who ran Quality Retail Store, marked by a large RC Cola signage, where children often lingered after school to get candy. There was also the local hall where adults congregated to play pool and drink. Also featured was the Jefferson School, the first school for free African American children. 

Vinegar Hill resident Kathy Johnson Harris stands in front of the Jefferson School, which she attended as a student. Photo Credit: Lorenzo Dickerson and Jordy Yager

The film transports viewers to key spaces in Vinegar Hill by seamlessly transitioning from historical maps and photos of Vinegar Hill to contemporary images by fading one image to the next. Two transitions are particularly striking. First, there is a superimposition of the building where Mr. Inge’s grocery store used to be, the building today looks largely unchanged from the outside. Second, there is a superimposition of the University of Virginia Hospital on top of an old map of the Vinegar Hill boundaries. Tthe image fits like a perfect puzzle piece. These moments in the film underscore the reality that Vinegar Hill’s past is more recent than it may seem. 

The second half of the film, Razed, focuses on the movement to tear down Vinegar Hill. Through a flurry of footage of newspaper clippings, photographs, and audio recordings, Dickerson and Yager lead the audience through a tense, high stakes retelling of the political movement by white politicians and residents of Charlottesville to destroy the historically Black community. We learn about smear campaigns labeling Vinegar Hill as a slum and how voting laws restricted Black Vinegar Hill residents’ ability to save their neighborhood. 

Also highlighted are the multiple historical movements occurring during this time. Critically, the film notes the rise of the Charlottesville chapter of the National Association for the Advancement of Colored People (NAACP), the ongoing Civil Rights movement, and school desegregation. These movements provide important context for establishing the heated historical contentions surrounding the area and its future. This context is exemplified by the inserted James Baldwin interview clip in which he critiques Urban Renewal as “Negro removal.” Collectively, this sequence explicitly names Urban Renewal as yet another racist policy to oppress Black people in the United States. 

Compelling documentation of the social, cultural, and economic loss of the destruction of Vinegar Hill brings the film to its final conclusion. Images of property valuations and incisive commentary by Dr. Andrea Douglas, Executive Director for The Jefferson School African American Heritage Center, outlined the tremendous economic loss caused by the leveling of Vinegar Hill: many businesses shut down permanently, losing hundreds of thousands of dollars, if not millions, in current and future earnings. Further, Black-owned homes destroyed were never used to build equity, send a child to college, or passed down to the next generation. 

Despite an official apology by the city of Charlottesville, according to Dickerson and Yager, the general consensus by everyone interviewed was that the razing of Vinegar Hill was an injustice that remains in need of repair. The film closes by hinting at recent movements and efforts to redress these wrongs such as the return of Bruce’s Beach, a thriving Black-owned resort in Southern California for Black families, to its rightful owners, and Yvonne Garrett Patterson of Hayti in Durham, NC plan to introduce a reparations bill. 

No firm conclusions about the road to reparations are drawn by the end of the film, but it makes one thing clear: Vinegar Hill’s former residents and their descendants are alive in Charlottesville today and deserve to have their humanity seen, heard, and valued.