Category: Community

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Arts Community Community Development Hometown Heroes Sonia Montalvo

The Man Behind the Beat

By Sonia Montalvo

The deep punchy 808 bass drum of Yo Gotti’s 2013 Hit Single I Know, sent the masses to the dance floors to flex in the bravado of the song’s beat drop and the lyrics. Featuring the late Rich Homie Quan’s legendary voice, the song became a cultural staple hitting #31 and spending 21 weeks on Billboard’s Hot R&B and Hip-Hop Charts. With 182 million views, the song’s existence lies behind the genius and gritty production of Charlottesville native, Trauma Tone.

The 34-year-old producer who prefers to go by his self-appointed moniker, first popped on the production scene around 2010. Prior to his entry in the game, he had been creating beats for some time in his hometown, creating a buzz for himself in the city. Taking his time in high school to perfect his craft, his most vivid moment of realizing he was on to something came during his sophomore year. “What I will say is, I think it was a song that an artist at the time, which is my homie who I love to this day. His name is Nick. He did a song, and, like, it was my tenth grade year and I remember this, everybody was playing it. Even the people we had problems with growing up- I remember them pulling up to the school playing the song. I was like, ‘This must be what it feels like to have a big song.’ A few years after his graduation, Tone ventured to Atlanta to expose himself to a bigger market. At the height of Rap’s Mixtape Scene in 2013, what solidified Trauma Tone’s place in the game for him had to be his first song with major recording artist at the time, Chicago’s ambassador drill rapper, Chief Keef. This song was placed on Chief Keef’s mixtape ‘Almighty So’ which dropped after his commercial success in the mainstream with hits like, ‘I Don’t Like.’ For the last decade plus, Trauma’s song credits have continued to grow and so does he as he continues to take on the job of becoming one of Hip-Hop’s hidden-in-plain-sight gems of the production game.

With influences like The Alchemist and Dr. Dre, Trauma Tone’s earliest memories outside of spending part of his childhood in the studio with older family members, was being gifted the gift of music. “My mom, had us like, we was the Death Row house. She had us all on Tupac. The first gift I ever owned in my life was a single [Cassette] of Snoop Dogg’s Gin and Juice. Dr. Dre is definitely like one of them influences, you know, one of my favorites growing up.”

Trauma’s ultimate goals as a producer are to leave a musical legacy behind and to create music identifiable with where he’s from. Interestingly, with Virginia debatably having very few identity markers in one significant musical influence or sound, Tone’s predecessors of musical greats may have shaped it this way on purpose. Virginia is home to several legendary producers in the industry. Timbaland, Missy Elliott, Pharrell Williams, The Neptunes, and DeVante Swing—Trauma Tone is quite literally standing on the shoulders of giants. Each of the these legendary artists could be considered snowflakes in the music industry because though they all hail from the same state, none of them have similar sounds to one another or any of their musical counterparts for that matter. As time progresses, each of their sounds doesn’t even allow them to sound like their previous work. Take for instance Missy Elliott. With no production of hers sounding quite like the other, Virginia Legend Missy Elliot gave us hits Supa Dupa Fly in 1997 and Lose Control in 2005. Two sonically different songs eight years apart, with the ability to move her fanbase all the same. Comparable to the Virginia legends before him, Trauma Tone further proves that the sound of Virginia is not a sound at all, but a feeling. With household hip-hop names under his belt like Migos, Kevin Gates, Rich Homie Quan, NBA Young Boy, Curren$y, and others, Trauma Tone is navigating through his music career in a similar fashion. “We [Virginia] got like a lot of different influences, because we’re right in the middle, of the north and the south, but like our bounce is different. When you look at people like Timbaland, Pharrell–I think we just got a different vibe to us. It’s hard to really explain the sound because I don’t want to put us in a box, but I just think that the bounce is just a little different. We are very versatile, all of us. You can pretty much come to any of the Virginia producers for any type of sound, especially if you’re trying to push it forward. I think it’s always gonna be some envelope pusher type of shit. “

Trauma Tone shares that his new endeavors and collabs are special to him. Recently he started his music label, Which Way Is Up, affectionately named after a 1970s comedy of the same name starring Richard Pryor that his mother introduced him to as a child. “That name always stuck to me because it’s like me and my manager joke about it all the time. Now, when people call us to fix shit, we’ll always be like, ‘Man, they don’t know which way is up.’ Like, they don’t know which way to go. You know, but I feel like I’m the guy for my circle[and] for my network. I’m the one that people call.” He states the creation of his label comes from the business knowledge he began attaining during the Covid-19 Pandemic. The producer creates his newest projects under his label with the most current project being a joint album with him and Louisiana Rapper Curren$y. “We do our projects in-house. We do everything on our own. I didn’t really understand none of that type of stuff on the independent side until I got with my manager and started learning about that earned income. So, I just think once you learn the game and like, you find different ways- it’s a million ways to skin cat, find your lane.” While nervous to share any names, Trauma’s excitement tends to flare when he talks about his upcoming 2025 projects.

Photo courtesy of revolt.com

At a perfect pace, Trauma Tone’s production credits are making him a household name in the music industry, but he doesn’t wish to stop there. Tone has his eyes set on scoring movie soundtracks and writing scripts. To end this article, it’s important to note that Trauma Tone stands behind believing in your own delusions of self. When asked what it took for him to get to this place, he exclaimed, “I was feeding my crazy, man, probably a little bit of delusion in there, but like, you couldn’t tell me, I wasn’t gonna be who I said I was gonna be. Even when everybody was like, “Oh yeah, it’s not gonna work,” or, “Get a job” and all that, I was just like ‘fuck what everybody else is talking about. I know who I am, and I know that no matter how long it takes, and I still got a ways to grow, but I know who I am, and I know what I’m trying to get'”I was feeding my crazy, man, probably a little bit of delusion in there, but like, you couldn’t tell me I wasn’t gonna be who I said I was gonna be. Even when everybody was like, ‘Oh yeah, it’s not gonna work,’ or, ‘Get a job,’ and all that, I was just like, ‘Fuck what everybody else is talking about. I know who I am, and I know that no matter how long it takes—and I still got a ways to grow—but I know who I am, and I know what I’m trying to get.’ ”

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Community Community Development

Voices in Action: Unveiling Survey Results & Shaping Our Future

Charlottesville, VA – December 5, 2024* – The Cherry Avenue Grocery: Community and Stakeholder Engagement Project is set to conclude the year with an impactful event, “Buy Back the Block 4: Voices in Action: Unveiling Survey Results & Shaping Our Future.” This community discussion will take place on Monday, December 9, 2024, at 5:30 pm in the Fellowship Hall of Mount Zion First African Baptist Church, located at 105 Lankford Ave, Charlottesville, VA 22902. Attendees will be treated to light refreshments and are encouraged to register in advance.

Attendees are asked to register at this link.

The event will feature a panel of distinguished speakers, including Jessica Harris, Community Research Program Manager at the UVA Equity Center; Deanna McDonald, Founder of RN HEARTwork-Health Education Coaching and Consulting and Project Manager of the Cherry Avenue Grocery Community Engagement Initiative; and Carmelita Wood, President of the Fifeville Neighborhood Association. The discussion will be moderated by Sarad Davenport, Founder & CEO of Davenport Strategic Innovation & Design.

In collaboration with the UVA Equity Center, the Cherry Avenue Grocery Community and Stakeholder Engagement Project team conducted a comprehensive survey to gather residents’ opinions on a proposed grocery store at 501 Cherry Avenue. The survey sought to address key questions such as the community’s priorities for a grocery store, potential interest in ownership or operation, and the possibility of forming a nonprofit or community-owned food co-op led by Black residents.

Jessica Harris will present the survey findings during the event, followed by an open forum for community members to discuss the data and provide input on the next steps for establishing a grocery store in Fifeville.

The Cherry Avenue Grocery Community and Stakeholder Engagement Project, spearheaded by Deanna McDonald in partnership with the Fifeville Neighborhood Association, aims to ensure that the development at 501 Cherry Avenue meets the community’s needs and aspirations. The site, formerly home to Estes IGA Grocery, was acquired by Woodard Properties in August 2022. Plans for the property include affordable housing units and space for a potential grocery store, though no ownership commitments have been made yet.

The project is funded by a grant from the Charlottesville Area Community Foundation and supported by the UVA Equity Center’s expertise in survey research. Additional in-kind support has been provided by “Can I Talk to You, Cville?” an initiative of Vinegar Hill Magazine and In My Humble Opinion radio show.

For more information, media coverage, or to schedule an interview, please contact Deanna McDonald at RN HEARTwork-Health Education Coaching & Consulting LLC via phone at (434) 218-0740 or email at RnHEARTwork@gmail.com.

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Community Community Development Michaela Franklin Style Travel

A Business Class Love Story

I am a huge proponent of flying Business/First Class. Unless there are absolutely no other  options, I would prefer to never fly economy again. #Bougieandproud. As the airline industry  increasingly scales back amenities such as in-flight meals and leg space, (as well as itemizing  every single pound of luggage you bring), more and more, it seems like Business/First class  looks increasingly attractive. (In other words, Steve Harvey was right!)  

The obvious con? Clearly, the price. However, there’s a couple of hacks you can use without  making your wallet cry:  

1. You can bid for an upgrade. In some cases, after you book your ticket, you can bid in  an auction for a seat. I’ve done this a few times, and I’ve upgraded for as little as $70!  2. Last minute upgrade. Wait until about a week before the trip. Many airlines often cut  prices to fill unsold seats, so by this time, they are often available at a steal.  3. Points/Miles. Some credit cards/airlines offer loyalty points you can redeem towards the  fare.  

The biggest advantage of flying Business/First is EASE. For example, I’m #TeamOverpack.  Most Business/First fares allow for at least 30kg (70 lbs), or more for luggage. I love shopping  and bringing gifts back home when I travel, so not having to worry about whether I’m going to  

wear a few extra layers of clothing from my suitcase to avoid fees is an immediate stress  release! #IYKYK  

  • Check in time: I hate rushing. Business check-in usually requires less time. I’ve gotten  to the airport 80 minutes before an international flight, and still made through with time to  spare *NOTE: EVERY airport ain’t created the same. Do not try this for example at  ATL or LAX. You WILL be watching your flight take off from outside the club for  sure.*  
  • Priority Security and Boarding: Usually the queues for Business/First class check  in/immigration are much shorter, especially for international flights. So, no standing  around in line waiting for 1-2 hrs to get your passport checked!  
  • Lounges: Listen; being able to stretch out on a chaise, drink a glass of champagne, or  have an entire private room for yourself before or between flights is wonderful. Some  Business/First Lounges even offer free massages.  

I recently had the opportunity to visit Al Safwa First Class Lounge for Qatar Airways. It  did NOT disappoint. It has its own check-in gate and provides direct shuttles to your gate. So,  no sprinting across the airport trying to slide before they close the cabin. Here you can have a  nice glass of Rose, whilst waiting for your flight taxi to arrive.  

There were also actual hotel rooms available inside. The layout was much like a museum with  paintings and figurines dotting the long hallways. A gorgeous waterfall located in the center of  the lounge added an air of calm and peace to the already comforting atmosphere. The design  was an ode to Qatari culture and their incredible focus on architectural design. 

  • Comfort: I’m a long-legged lady, being able to stretch out on a GODSEND. Especially  on longer flights. I recently joined the 40 and over club, so my circulation and joints thank  me every time I descend.  
  • Food: I LOVE food. This is my opus. Normally business class gives very much  restaurant with the food choices. Being able to enjoy lamb chops, a juicy sirloin, caviar,  or a full plate of prawns, with a tiramisu for dessert brings so much joy to my day. Also,  the wine options, especially on long flights are usually a decent range.  
  • Unexpected perks: Networking at 35,000 feet: Need a business funded? Looking for  an investor? Or just plain old need life advice? THEE CONVERSATION.  Listennnnnnnnn. This is probably my second favorite aspect of flying Business/First!  You really get your weight in gold through simply, talking!  
  • Oftentimes, especially frequent Business/First fliers, are well traveled. Many are  fellow entrepreneurs. I use these flights as an opportunity to further my network and  industry knowledge. I often meet many long-term business owners, and just through  conversation, I have been left with incredible professional gems of advice that I still use
    • to this day.  

As noted earlier, I’ve flown business on a number of airlines, (Singapore, Oman, KLM,  Jordan, Egypt, FlyDubai, Vistara, etc etc) So far, Qatar Airways definitely takes the W. (I haven’t  had the chance to do Emirates Business/First yet, and I heard that it’s the best product on the  market. Singapore was definitely a close second to Qatar, so we will see.) Below is my  experience for my first time with Qatar Airways Business Class. (Aka: The Q Suites!)  

Customer service: 10/10. Hands down the sweetest crew. The reason for my travel was that I  was transporting my mother’s remains for burial. Once the crew learned that I was the  passenger flying with remains, I was immediately moved to a larger, central suite so that my  partner and I could be next to each other. They didn’t have to do that, and it was super  appreciated. They also checked in frequently, often leaving warm notes and words of  encouragement. 

Food: 9/10. Decent selections and good portions. The only reason why it didn’t get 10/10 is due  to the tea selections. (Singapore definitely tops the list here. They legit had 40 tea selections.)  

Dranks: 10/10 mainly because of the unlimited bubbly. 

**For reference:  

Aircraft: Airbus 350  

Flight: WV 667/WV 6045 MCT-DOH-IAD 

 All in all, though it may be a pretty penny, with Business/ First Class what you will get in  convenience and peace, it is well worth the price of admission! 

Categories
Community Community Development

From Heart to Haven: Eta Phi Omega’s Warm Winter and Essentials Contribution

by Khalilah Jones

Members of Eta Phi Omega with a portion of the contributions at the Haven

Charlottesville, VA – In an inspiring show of compassion and unity, the Alpha Kappa Alpha Sorority, Incorporated’s Eta Phi Omega Chapter, under the leadership of president Pamela Brown, has come together to make a difference this winter. On November 4th, members gathered at The Haven in downtown Charlottesville to deliver essential winter warmth items and toiletries for the unhoused. This community service project, spearheaded by the chapter’s Service Project Committee and supported by over 1,000 members from the Mid-Atlantic region, was designed to provide comfort and care to individuals facing challenges associated with homelessness, particularly with the brisk winter approaching.

In the weeks leading up to this event, the Eta Phi Omega Chapter rallied members and resources, gathering a range of necessary items, from warm clothing to hygiene essentials. It’s a commitment that underscores Alpha Kappa Alpha Sorority’s dedication to service—a core principle the sorority has upheld since its inception in 1908. The service project was particularly special for those present, as it highlighted both the pressing need for support during colder months and the power of collective action.

Members of Eta Phi Omega with the Haven’s Day Shelter Director, Jamey Rush

Velvet Coleman, Chair of the Service Project Committee, was on-site to oversee the distribution as well as delivery, and visibly exuded pride in the sorority’s ability to contribute meaningfully and uplift the local community. One goal was to bring some semblance of comfort to those who may feel invisible or forgotten, especially during the surmounting challenges that inevitably come with being displaced. Velvet shares, “It is an honor to serve and be a positive impact in our community.  The generous donations of our sorority members during our conference were greatly appreciated.” We truly hope that through this initiative, that our neighbors at the Haven feel seen and valued.

For The Haven, a local organization offering shelter and services to individuals experiencing homelessness, the collaboration with Alpha Kappa Alpha couldn’t be more timely. With winter on the horizon, these donations will undoubtedly offer immediate relief to their guests.

Eta Phi Omega members Stephany and Velvet are all smiles as they stand ready to receive contributions for the Haven at the Greater Richmond Convention Center during the regional conference

At the recent conference hosted by Eta Phi Omega, 1000 sorority members of the region, donated bags with gloves, scarves, toiletries, and other essentials, the atmosphere was a blend of palpable joy and genuine gratitude. Members shared personal reflections on the importance of giving back, often touching on how their own lives have been enriched by acts of service.

Capturing the Spirit of Giving
Being part of an organization that cares deeply about uplifting others is incredibly fulfilling. Today, we weren’t just donating items—we were connecting with individuals and learning their stories.

As Charlottesville prepares for colder weather, the Eta Phi Omega Chapter’s service initiative at The Haven stands as a powerful reminder of the impact one organization can make. With members who actively work to embody the spirit of service, Alpha Kappa Alpha’s contributions help reinforce the organization’s mission of “service to all mankind”.

Our work doesn’t end here. We hope others in the community will join in this mission of kindness, generosity and servant leadership.

The service project takeaway? Small gestures, made with love and care, can make a world of difference, especially when temperatures drop and needs grow. Through this initiative, Alpha Kappa Alpha’s Eta Phi Omega Chapter is not only helping to keep Charlottesville warm but also showing that the warmth of community spirit is often the greatest gift of all.

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Community Community Development

Celebrating Success with Dr. Lisa Woolfork and the Stitch Please Podcast

Vinegar Hill Magazine sat down with Dr. Lisa Woolfork, the dynamic host of the acclaimed podcast “Stitch Please.” Recently recognized by the New York Times and a recipient of multiple prestigious awards, Dr. Woolfork shares her journey of passion, creativity, and community building within the world of podcasting. From the challenges of starting a podcast to winning accolades, Dr. Woolfork offers insights into her mission-driven work that centers and celebrates Black women, girls, and femmes in sewing. 

Vinegar Hill Magazine: Dr. Woolfork, thank you for joining us. Can you share a bit about the recent recognition your podcast, “Stitch Please,” has received?

Dr. Woolfork: Absolutely! It’s been an exciting time. Recently, “Stitch Please” was featured in the New York Times as one of seven podcasts to help people develop a hobby. It was a delightful surprise since I wasn’t contacted beforehand. Additionally, we won a gold-level trophy for Best Hobbyist Podcast and a Listener’s Choice award at the Signal Awards. It’s been a whirlwind of recognition, and I’m incredibly grateful.

Vinegar Hill Magazine: That’s amazing! Can you tell us more about the Ambie Awards and what they mean to you?

Dr. Woolfork: The Ambie Awards are like the Oscars of podcasting, organized by the Podcasting Academy. They recognize excellence in podcasting across various categories. I was thrilled to win in the DIY category, especially considering the competition from big names like Oprah and major networks. It’s a significant honor and a testament to the hard work and dedication that goes into “Stitch Please.”

Vinegar Hill Magazine: How does it feel to receive such prestigious awards?

Dr. Woolfork: It’s incredibly validating. When I started the podcast, I thought it would just be me and my mom listening. To see it grow and receive such recognition is beyond what I imagined. It’s a reminder of the importance of community support and the power of passion-driven work.

Vinegar Hill Magazine: Speaking of passion, what advice would you give to aspiring podcasters, particularly Black podcasters?

Dr. Woolfork: Start with a manageable schedule and structure that you can handle alone. It’s crucial to focus on your passion and keep your eye on your own paper. Your podcast should be driven by a message or topic that brings you joy or fuels your fire. This focus will sustain you through the challenges and help you build a dedicated audience.

Vinegar Hill Magazine: Your podcast seems to weave together various elements. Can you elaborate on that?

Dr. Woolfork: Certainly. “Stitch Please” is about more than just sewing. It’s about stitching together academic, activist, and artistic threads. I explore Black women’s sewing as a means of liberation and self-expression, connecting it to broader themes of Black life, culture, and creativity. It’s a metaphorical quilt, with each episode adding a new layer to the conversation.

Vinegar Hill Magazine: What’s next for you and “Stitch Please”?

Dr. Woolfork: I’m currently working on two books. One is an academic study on Black women’s sewing as a tool for self-determination, and the other is a more public-facing exploration of how sewing empowers Black women today. I’m also focused on expanding the podcast’s reach and continuing to celebrate the vibrant community of Black women in sewing.

Vinegar Hill Magazine: Thank you for sharing your journey with us, Dr. Woolfork. 

Read a previous profile about Dr. Woolfork with Vinegar Hill here. 

Categories
Community Community Development

501 Cherry Avenue Grocery Store Survey

After the success of the BUY BACK THE BLOCK community events, the Cherry Ave Grocery Community Engagement Team is excited to move into the next phase of the Cherry Ave Grocery Community Engagement Project. The Team needs your input to make this a reality!

The Cherry Ave Grocery Community Engagement Team is conducting a survey to gather feedback from Charlottesville and Albemarle County residents about a potential grocery store at 501 Cherry Avenue. Your insights will help the Team understand the priorities and preferences.

What We Want to Know:

  • What factors are most important to you when choosing a grocery store?
  • Do you know anyone interested in starting a grocery store?
  • Would you be interested in joining a group to establish a non-profit or co-op?

How to Participate

  1. Online Survey: Take the survey here: LINK to Survey
  2. In-Person Survey: Join us at one of these locations:
  • Saturday, October 26th, 11:00 AM – 2:00 PM: South First Street (1050 Bldg. South 1st Street)
  • Monday, October 28th, 1:00 PM – 3:00 PM: Crescent Halls (500 1st St. South)
  • Friday, November 1st, 5:00 PM – 7:00 PM: City of Promise (708 Page St.)

Join the Steering Committee

If you’re passionate about bringing a community-owned food co-op to Cherry Avenue, consider joining the Steering Committee. Please fill out this Google Form to express your interest: Steering Committee Interest Form

The Cherry Ave Grocery Community Engagement Team will be hosting a community forum in early November to share the survey results and discuss the next steps.

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Community Community Development

Vinegar Hill Magazine Receives Press Forward Grant to Support Diverse Local Reporting

We are excited today to receive funding from Press Forward, the nationwide initiative strengthening communities through local news! We’re in great company: 205 small, local newsrooms across the U.S. are sharing $20 million for reporting on communities and regions that have traditionally gone uncovered.

Since 2012, we have been on the frontlines designed to support and project a more inclusive social narrative, to promote entrepreneurship, and to be a beacon for art, culture, and politics in the Central Virginia region. A review panel of national foundation and journalism leaders read about how our publication makes a difference right here at home and awarded us $100,000 in funding over 2 years. Learn more: pressforward.news/grantees #PressForward

Categories
Community Community Development Education Health and Wellness History Hometown Heroes Sonia Montalvo

Holly Edwards: The Legacy of Lamb and Lion Lives On

by Sonia Montalvo | Photos by Anica Marcelino

Holly Edwards was a force—both gentle and unyielding—who forever shaped Charlottesville’s community. Even now, nearly a decade since her passing, the ripple effects of her civic-centered work as a nurse, City Councilor, and community advocate are felt in both big and small ways. Holly was not just a public figure; she was a servant leader who showed up in people’s lives, day in and day out, with compassion, wisdom, and quiet strength.

To her family, she was the matriarch who led by example; to her neighbors, a trusted advocate and friend; and to the community at large, she was a woman of action, embodying what it meant to stand firmly for what is right while offering warmth and kindness to those around her.

Saturn Edwards recalls their mother’s advice: “You gotta be tough,” emphasizing her belief in balance: “She specifically said that we have to be like a lion and a lamb. You have to balance your energy when you’re interacting with other people, and you have to stand up for yourself while also doing it with grace.” Saturn and their twin, Jean, were the youngest of Holly and Ken Edwards’s children, growing up in a close-knit family alongside siblings Christen and Shelby.

Video Credit: Anna Scholl

Photo of Holly  provided by family.

Jean, fondly known as Novella, reflects on spending after-school hours at Westhaven with Holly, who seamlessly integrated family with her community work. “She would pick us up, especially during the summer when she was working as a nurse, and be like, ‘I’m going to be in my office and do my own thing, but you guys can play with your toys.’” For the Edwards children, service was more than a responsibility—it was a natural part of life.

Christen and Shelby share similarly impactful memories. Holly supported and encouraged their interests: Shelby recalls her mother buying the book that the musical she starred in during high school was based on, while Christen remembers having empowering conversations with Holly about her teenage aspirations of becoming an Olympic swimmer like Michael Phelps.

Creating Community Care

Holly’s roots run deep in Charlottesville’s public housing communities, and Westhaven held a special place in her heart. Westhaven, Charlottesville’s oldest housing complex, was where Mrs. Edwards served as a Parish Nurse and Program Coordinator for the Public Housing Association of Residents (PHAR) at the Westhaven Clinic. Holly’s efforts brought healthcare directly to those who needed it most, ensuring equitable access for all. She didn’t limit her work to just one facet of community care—she also pursued political change.

Left to Right: Jean Edwards, Saturn Edwards (Front Row,) Shelby Edwards, Christen Edwards, & Ken Edwards (Back Row.)

During her time in local government, Holly Edwards served as Vice Mayor of Charlottesville from 2008 to 2010 during her term on the Charlottesville City Council. Elected to the council in 2007, she served until 2011. In her work, she fought for policies that mattered—equitable access to resources and healthcare, as well as support for the city’s most marginalized. But she also knew that leadership wasn’t just about standing tall; it was about lifting others. Her family understood her unmatched ability to listen, connect, and offer the right words at the right time.

Love and Lasting Impact

Ken Edwards, no stranger to community work, jokingly shares that he loved “the hype” surrounding his wife, Holly. As a Community Faith leader and long-time Government Service worker for the United States Postal Service, Ken has spent decades fostering spiritual growth, serving as a pastor at Union Grove Baptist Church and now the historic Zion Union Baptist Church in Charlottesville, Virginia. Alongside his late wife, the couple exemplified a life of unwavering service—Ken through his faithful leadership and commitment to public service, and Holly through her passionate advocacy for healthcare and social justice.

Reflecting on Holly’s tireless work, Ken expressed his admiration: “It was amazing how many people Holly touched in ways I never knew about… People would see her carrying the oxygen tank, taking care of the twins, and still showing up for the community. They were inspired to do more, to stop dragging their feet.” When asked about his own legacy, Mr. Edwards said, “I want people to know that I was friendly, I didn’t point the finger at anybody, I didn’t condemn anybody. I just tried to love everybody. Man, that’s what I want. If the church can get that right, guess what? We’ll be full every Sunday.”

Carrying the Torch

In 2017, Holly Edwards passed away, and the community continues to deeply feel her absence, with many still mourning the profound loss of her leadership and compassion. One of her many initiatives still utilized in Charlottesville today is her “Meet Me at the Bus” program, where she stood at the Westhaven bus stop with donuts and fruit, chatting with families as they sent their children to school. This practice has since been adopted by other organizations in the area to foster engagement with community youth and their parents.

Today, Holly’s children continue her legacy in their own ways. Shelby Edwards, a versatile professional, has made an impact in both the performing arts and the nonprofit sector. A performer and teacher in the theater world, Shelby has acted on stages from Virginia to Illinois. In a full-circle moment of legacy, Shelby also became the Executive Director of the Public Housing Association of Residents (PHAR) in 2020, the same organization where her mother once worked as a program coordinator. Now back in the Windy City, she continues her philanthropic work as a Director of Leadership Giving.

Christen, a leader in the education field, is involved in several equitable education initiatives aimed at supporting marginalized students and fostering inclusion. A graduate of North Carolina A&T and UVA, Christen was a part of the inaugural leadership team for  Charlottesville’s first Freedom School, which provides a comprehensive education on Black and Brown history, social activism, and community involvement. She also started the first equity committee in the Charlottesville school district. Christen states, “I wanted to be able to talk about equity, diversity, and inclusion… the voiceless need a voice, and if I’m gonna come back home, I’m gonna give back to Charlottesville because it’s the same community that built me up.” She now serves as a Manager of Research and Evaluation for the National Center for Teacher Residencies, a Chicago-based education organization.

Jean and Saturn, recent high school graduates, are making their mark on the community as well. Jean, currently a student at VCU’s School of Arts for Theatre, said: “I don’t know. I just feel like it’s still very early in my career. Even though I am very young, and like I can speak on some of these issues, I feel like I still have yet to experience all of it. I’m mostly looking forward to being at VCU. I’m a transfer student. I didn’t enjoy my previous college. It was much too small for my taste, and I knew I wanted more.”

Saturn, following in their mother’s footsteps of activism, has become a vocal advocate for Black queer and trans individuals, focusing on visibility and inclusivity within the Charlottesville community. Like their mother, who worked passionately to uplift marginalized groups, Saturn continues this legacy by setting an example of Black queer joy and resilience. “I’m really setting an example for what Black queer joy can look like,” Saturn says. “That’s why I decided to stay [in Charlottesville]… so other Black queer and trans youth can see me on my journey and say, ‘Wow, I can do that and be happy.’”

Categories
Community Community Development

Vinegar Hill Magazine Accepted into Transformation Tech Cohort with Google News Initiative

Vinegar Hill Magazine is excited to announce that we have been accepted into a cohort for Transformation Tech, a groundbreaking program designed to help local news organizations thrive in the digital age.

As part of the 18-month Google News Initiative-funded program, we are receiving comprehensive training and support to develop a sustainable revenue model for our publication. Joining a cohort of 52 Association of Alternative Newsmedia (AAN) members, we are already seeing the positive impact of this initiative.

Key Highlights of the Program

  • Grant Funding: Each participating publisher receives a $20,000 grant, totaling over $1 million for AAN members.
  • Revenue Transformation Plans: We are developing tailored strategies to generate new digital revenue streams, such as SEO improvements, content programs, and even offering digital agency services to local businesses.
  • Comprehensive Training: The program covers essential topics like tech stack auditing, digital revenue generation, change management, and project management.
  • Collaboration and Partnership: Through the Fund for Equity in Local News (FELN), we are collaborating with other news organizations to share best practices and foster a supportive community.

Transformation Tech is a game-changer for independent news outlets like Vinegar Hill Magazine. By providing the necessary tools and resources, we are able to adapt to the evolving media landscape and continue serving our community with high-quality journalism.

Categories
Arts Community Community Development Hometown Heroes

Beyond Boundaries: The Story of Sculptor Alice Wesley Ivory

by Kay Slaughter | Photos by Alexandria Searls ©

 “My position as art instructor involves using art to enhance self-esteem in students. Its uniqueness helps students realize that Black women are able to perform functions other than cooking, house cleaning, etc.”   Alice Wesley Ivory, 1931-1999, Art Class Autobiography, 1988.

In the summer of 1957, after several years of teaching at Jackson P. Burley High School, the area’s segregated Black school, 26-year-old Alice Wesley headed off to the University of Wisconsin at Madison to work on a graduate degree in art education. 

Nearby University of Virginia (UVA) was not the place for her, a Black female, although the courts had forced admission of two Black men into graduate programs in 1950 and 1951. Even so, Alice started her journey. breaking racial, gender, and economic barriers to become a renowned metal sculptor as well as a teacher of three decades. 

“Beyond Boundaries: The Sculpture of Alice Wesley Ivory” recounts her story and legacy in an exhibit sponsored by the Albemarle Charlottesville Historical Society (ACHS) in cooperation with the Contemporary Gallery at Jefferson School African American Heritage Center (JSAAHC). The exhibit, open through mid-December provides an opportunity for new generations to learn about the life and times of this pioneering artist.

To find her creative path, Alice encountered many societal challenges as an African American female, but she also overcame obstacles by seizing the opportunities. Born in White Hall, Albemarle County, she grew up within a strong Black community grounded in nearby Mt. Olivet Church. Although her parents had no formal education, they were literate and hardworking, owning the family farm in White Hall. 

The middle child of six, Alice walked two miles to attend elementary school; later, she rode a rickety bus for a long drive to Albemarle Training School near the current Ivy Creek Natural Area, the only high school for Blacks in the five-county area until Burley opened in 1951.

After graduation from Virginia State College (now University) an historic black college/university in Petersburg, Alice joined the art faculty at Burley. During her seven-and-half year tenure, she spent most summers at the University of Wisconsin, receiving her degree in 1962.  

In 1958, Alice had married Fred Ivory, another Albemarle native, who presented his metal sculptor bride with an oxi-acetylene torch: 30 years later, it was still in use. Fred often picked up scrap metal for Alice to rework into her pieces. The Ivorys had two children, and after their early  childhood, Alice taught for 20 years at Blue Ridge School for Boys, becoming its first art director and the first Black on the faculty.

Yet when she entered University of Wisconsin in her 20s, Alice was accepted only as a “provisional student,” considered likely deficient because of her southern education. She quickly proved her aptitude and talent, attaining student status without conditions.  

Wisconsin became a life changing experience:

“I heard popping noises like small cannons exploding coming from next door. I peeked in and saw a group of young men waging a torch war, ” wrote Alice in her autobiography produced for an UVA art class two decades later.

With this encounter, she discovered what would become her lifelong vocation. She convinced a fellow student to show her some basics, and then prevailed upon her adviser, Leo Steppat, an Austrian immigrant and metal sculptor, to help her master the techniques of the acetylene torch.

Alice described creating her first large piece: the Boar:

Word had gotten around to other classes; they wanted to see the woman make the pig. Almost every morning once it had a mouth, the Boar was fed an apple. I assumed that they came from generous classmates. . . . Leo Steppat refrained from bothering me. I would hear him mumble to himself as he went by, things like ‘Alice can really weld,’ ‘she’s a natural born sculptor,’ or ‘I’d give her three A’s if it were possible.  

In the current exhibit, the art pieces depicting animals — including Great Blue Heron, Fish, Beetle, Bull — are accompanied by narrative panels recalling Alice’s personal odyssey and her views on education, religion, and art. The show features her work from the Virginia Museum of Fine Arts (VMFA) including Crow which won awards from the Museum. Another piece, Kangaroo, a mother with her “joey” in the pouch, was commissioned by the VMFA for a 1980 traveling exhibition allowing persons with vision problems and children to touch and feel the sculpture.

Exhibit panels feature photographs of two other works that were not physically present. Alice wrote about creating an outdoor fountain:  “Turtle represents my first attempt at welding copper. It was commissioned by a person who wanted a piece of my sculpture. . . . Not knowing that copper is not usually welded, I assured the [owner]  that I could do it in welded copper. . . . I consider it to be one of my best pieces. It is pictured at the water bin that was specifically constructed for it at the back of the owner’s residence. Incidentally, I had a live snapping turtle as a model, but the tail is designed for . . . [the sculpture]. I call the tail prehistoric.”

Another photographed work, The Eagle resides in Costa Rica.  Its owner, the granddaughter of Charlottesville portraitist Frances Brand, accompanied her grandmother when she purchased Eagle and another sculpture in 1966, Dog, owned by the Brand Family. Dog is displayed in the gallery along with a portrait of Alice with these two sculptures.  The portrait is among Frances’ collection of Charlottesville-Area “Firsts,” which included notable 20th-century figures who broke barriers of race, gender, and/or ethnicity.  About her inclusion in this array, Alice noted: “I was pleased to have been chosen for one of Frances Brand’s Firsts.”

From her education at University of Wisconsin, Alice learned that metal forms should not look hard but need clean direct lines, and she focused on the form, rather than reproducing nature: “None of my sculpture is anatomically or biologically accurate. I sculpt things according to the mood I am in and base them on the way I feel about the subjects. The sculptures are not based on a love for the creatures. It is based on a love for beautiful form.” 

VMFA had  awarded certificates of distinction not only to Crow but also Wild Boar and Eagle I, exhibiting them in its galleries in the 1960s. The purchaser of Eagle I donated it to Virginia State University, where a relative viewed it in the 1970s, but the college currently has no record of it. 

Crow ca. 1960, Virginia Museum of Fine Arts, Richmond. General Endowment Fund, 61.11, Photo: Travis Fullerton © Virginia Museum of Fine Arts

In 1967, VMFA hosted Alice’s one-woman show, and Charlottesville’s McGuffey Art Center and other local galleries also displayed her work. During her lifetime, Alice created more than 100 sculptures of animals, birds, fish, and insects. Since the exhibit’s opening, seven more sculptures have been identified.

The exhibit runs through December 14,  open to school classes as well as other groups and individuals. Group tours should contact Jefferson School. The gallery is open Tuesday-Friday 1-6; Saturday, 10-12.

To reach teachers in public and private schools, ACHS worked with Annie Evans, education outreach director in historian Edward Ayers’ New American History Project to create a website:

https://resources.newamericanhistory.org/alice-ivory-breaking-boundaries

This exhibit was made possible through the generosity of the Joseph and Robert Cornell Memorial Foundation, the Mental Health Fund of the Charlottesville Albemarle Community Foundation, the Charles Fund, Jefferson School African American Heritage Center Annual Fund and individual donors. The exhibit was collected, researched, and written by the Albemarle Charlottesville Historical Society. It was professionally mounted by Andrea Douglas, curator of the Contemporary Gallery. 

Kay Slaughter, member of the Board of the Albemarle Charlottesville Historical Society and a lover of local history, was formerly mayor of Charlottesville and a member of City Council, 1990-98. She retired from practicing law at the Southern Environmental Law Center and researches and writes family history as well as essays about growing up in 20th-century Virginia.

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Community Community Development Politics

Gloria Witt: Willing to be the Voice and do the Work

by Sarad Davenport 

In the heart of Virginia, in the rolling hills and tight-knit communities, Gloria Witt’s journey from a rural upbringing to a prominent advocate and leader is a testament to determination and a deep-seated commitment to justice. In a recent conversation with Vinegar Hill Magazine, Gloria shared her story, offering insights into her life, career, and the forces behind her work.

Born and raised in Amherst County, Virginia, Gloria describes herself as a “country girl” who grew up in a family-oriented community. “We lived off the land from a sustainability perspective,” she recalls, highlighting the self-sufficiency of her upbringing. This environment instilled in her a strong sense of community and justice, values that have guided her throughout her life.

Gloria’s early years were marked by her role as an advocate within her family. As the youngest child for seven years, she naturally became the spokesperson for her older siblings. “I was the baby. I was the advocate. And I’ve been the advocate,” she says, reflecting on how this role shaped her future. “I’ve never been afraid to make the ask and to hold my space.”

I feel like I have a voice that can bring people together, and I feel like for District 5, I am that voice in this moment.

Her journey into the professional world began in an unexpected place: the tobacco fields of Connecticut. From the age of 14, Gloria worked as a seasonal migrant worker, a role that was both challenging and rewarding. “You got paid by how fast you worked,” she explains, noting how this performance-based environment suited her competitive nature. It was here that she saved enough money to buy her first car, a bright yellow 1974 Toyota Corolla, which she fondly remembers as her ticket to independence. “I was mobile then,” she recalls with a smile.

Despite the hard work, Gloria knew that the tobacco fields were not her final destination. She set her sights on a career in business, driven by a desire to break free from the limitations of her rural upbringing. After high school, she attended a business school, where she honed her skills in accounting and stenography. Armed with these skills, she targeted Babcock and Wilcox, a company she admired, and began her 32-year career in corporate America that took her all over the world to include France and Germany.

Gloria’s corporate journey was marked by significant achievements and challenges. She rose through the ranks to become the North American Director of People Development, a role that allowed her to shape leadership strategies and talent management. “It was a rich career,” she notes, emphasizing her love for the job despite eventually retiring and starting her own company, Success Coaching and Facilitation. 

Her commitment to social justice found a home in the NAACP, where she has been involved since she was 14. As a leader in the Amherst County branch, Gloria has been at the forefront of advocating for equity and inclusion. The murder of George Floyd was a pivotal moment for her, galvanizing her efforts to address systemic racism and inequality. “George Floyd was a tipping point,” she says, describing how the event galvanized her and others to take action against systemic injustice. “It opened up the realization for young people,” she emphasizes, highlighting the need for continued advocacy.

In addition to her work with the NAACP, Gloria has been deeply involved in the nonprofit sector, including the Boys and Girls Club and the Virginia Center for Inclusive Communities or VCIC. Her efforts focus on creating safe environments for young people and promoting educational and career opportunities. “It’s all about building great futures,” she emphasizes, highlighting the importance of exposing youth to opportunities beyond their immediate surroundings.

Gloria’s dedication to health equity is also noteworthy. As a board member of Central Health Systems, she is learning about the challenges of workforce development in healthcare and the importance of accessible healthcare. “There’s a real struggle to keep that workforce up,” she notes, pointing out the need for more doctors and healthcare workers in rural areas.

Her advocacy is driven by a desire to bring people together and find common ground. “Inclusiveness is in the heart of who America is,” she asserts, expressing her belief in the power of collaboration. Her vision for the future is one of growth and opportunity for all, rather than a return to the past. “We cannot go backwards,” she declares, confident that the voters will choose progress over regression.

Gloria Witt’s life and career are a testament to her unwavering commitment to advocacy, leadership, and justice. Her journey from a rural upbringing to a successful corporate career and impactful nonprofit work is a powerful example of the difference one person can make. As she continues to be a voice for change, Gloria remains focused on her mission to help others and create a better future for all. Her story, from the tobacco fields to corporate boardrooms and community activism, is a reminder of the impact one person can have when driven by a passion for justice. As she continues her work, Gloria remains committed to being a voice for those who need it most, ensuring that the values of inclusivity and progress remain at the forefront of her efforts.

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Community Community Development

New York’s Hottest Comedienne, Paris Shashay has been added to the line up of the United Nations of Comedy at the Paramount Theater: An Evening of Laughter and Diversity

Charlottesville, VA — The highly anticipated United Nations of Comedy is set to return to the Paramount Theater in Charlottesville, Virginia, for another unforgettable evening of laughter and diversity. This long-standing national comedy tour, now in its 22nd year, will take place on Saturday, November 16, at 8 PM. Since its inception in 2002, the tour has been dedicated to promoting diversity through the unifying power of laughter, and the Paramount Theater has proudly hosted the show annually since 2011.

This year’s lineup has an impressive roster of comedic talent, each bringing their unique voice and perspective to the stage. Among the featured comedians is Jordan Rock, a fresh and relatable voice in the comedy world, with credits on Netflix, HBO, and Hulu. As the brother of the legendary Chris Rock, Jordan’s performances carry the legacy of his famous family, delighting audiences. Also joining the lineup is Paris Sashay, one of New York’s hottest comedians. With appearances on HBO, Comedy Central, and BET, Paris has become a standout figure in today’s comedy scene, delivering performances that pack a punch and leave audiences wanting more. Additionally, four-time BET Comic View All-Star Funnyman Skiba, known as a comedian’s comedian and a fan favorite, will take the stage to deliver his signature comedic style. Rounding out the lineup is Anthony DeVito, who returns from last year’s show with his familiar brand of humor that has graced Comedy Central, The Late Show with Stephen Colbert, and beyond.

The United Nations of Comedy has long been celebrated for its ability to showcase a diverse group of comedians, reflecting the tour’s mission to celebrate different perspectives through the lens of comedy. Attendees can expect a night of laughter, insightful commentary, and performances that will resonate long after the show ends.

Tickets for the event are now available at the Paramount Theater’s box office. VIP tickets are priced at $49.50, while regular tickets are available for $39.50. Tickets can also be purchased by calling 434-979-1333 or online at www.UnitedNationsofComedy.net.

This event is sponsored by C-Ville Weekly, Hyatt Place, Davenport & Co/Posner Wealth Management, Lifeview Marketing, and WTJU. Don’t miss this incredible night of comedy, culture, and celebration at the Paramount Theater. Come join the United Nations of Comedy in celebrating the power of diversity and laughter!