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Arts Community Community Development Jessica Harris

Marisa Williamson & “Unsettling Grounds” 

by Jessica Harris; featured photo by Hyeyon Moon

The Unsettling Grounds mobile app is now available to download on all iOS and Android devices at https://unsettlinggrounds.com/. 

Marisa Williamson is an artist unafraid of pushing boundaries and challenging narratives. 

Perhaps that’s why her most recent creation, an augmented reality mobile app called Unsettling Grounds, has such an apt title. The piece contextualizes Charlottesville’s Woolen Mills by inviting users to engage in its history via interactive and creative experiences. Suffice to say, the app is in line with Marisa’s powerful, gripping, artistic style. 

Grappling with history and its impact is not new to Marisa. Growing up in Philadelphia, she was instilled with “the idea of history being alive and something you walk through every day.” This notion of the importance of bringing history to the present wove its way into her artistic praxis, too, as her work grapples with themes of history, race, feminism, and technology.

a woman holding up plans for an exhibition
Marisa Williamson, at an Unsettling Grounds planning meeting. Photo credit: Hyeyon Moon

Her pieces are riveting, bold, and innovative. She uses performance art, mixed media, textiles, and more to challenge narratives of the past and create living monuments to ancestors. As such, she believes that “some of the things borrowed from the world of activism can find a place in art.”

Marisa received her bachelor’s degree from Harvard University, and while she didn’t plan to pursue art in college, she soon discovered the potential that art has to challenge and transform. She later deepened her work in the intersection of social change and creativity at CalArts where she received her Master’s of Fine Arts. 

This “artivism” philosophy also aligns with her extensive work as an educator. She’s taught in just about every educational setting imaginable: elementary schools, alternative schools, and  higher education settings. “I really like taking young folks through a space and doing inquiry-based learning, asking them what they see and think about history and art… and trying to see what’s not there,” she says.

Since 2021, she’s been on faculty at the University of Virginia where she completed an artist residency in 2018. And while Marisa might not be a Charlottesville native, her work and this locale have been inextricably linked for years. She’s created site-specific work at Monticello and at the University of Virginia. Some of her more well known works grapple with Sally Hemings, an important historical figure and former enslaved laborer at Thomas Jefferson’s Monticello estate, and the impact of her legacy. 

In her artist statement, Marisa shares that she hopes her work provides “insight not only into how history is understood, but how it is felt.” She strives to create works that you can teach from, and art that invites dialogue and reflection. “Slow art,” she says, “art that takes awhile to unpack or to launch or to land” is equally important to her. And her latest curated project, Unsettling Grounds, is a perfect combination of these elements. 

a group of people in a community space
The creative team at an Unsettling Grounds planning meeting at Visible Records. Photo credit: Jay Simple

It’s an app that powerfully couples art with history, and contemporary engagement with contextualization. The app officially launched in June 2023 and is an augmented reality and interactive storytelling tool, highlighting experimental and monumental works by Black, Brown, Indigenous & rural artists. Per the app’s description, “using this app, audiences will uncover hidden histories of lesser-known struggles for freedom….Unsettling Grounds makes visible and audible the hidden past.”

“The plan was to pull ideas together, and to create digital and monumental scenes that reflected history,” Marisa says. Users must move their phone – walk forward and backward, turn around, and be fully immersed in space to engage fully with the scenes and uncover the stories. While the app guides users through the Woolen Mills area, one does not need to be on-site to use it. The immersive and interactive components can be launched and engaged with anywhere. 

a screenshot from an app
A screenshot from the Unsettling Grounds application.

The process of putting together the application was a whirlwind experience. In partnership with Albemarle County, the project received grant funding from the National Endowment for the Arts in September 2022. Between last fall and the official launch, Marisa and her team have been working overtime to bring this piece to life. 

The app features work by artists Marie Tattiana Aqeel, Joumana Altallal, Myra Anderson, April Branham, Tanesha Hudson, Aidyn Mancenido, Alma Rayen Molina, Kweisi Morris, Adrienne Jacobson Oliver, and Sandy Williams IV. It was fabricated by Dream Syndicate, and received support from Amber Smith, Brandon Lee, and The Bridge PAI. “It was a good group that really challenged me. There’s a monumental thing that happened just in the group collaborating and trying to get stuff done, which I hope to make happen again somehow,” Marisa smiles. 

Perhaps equally fulfilling for Marisa was the launch event for the app, and seeing different groups of people connecting with one another and mingling in the space. “It was interesting at the launch to have the kind of vibe of underground-ness in this slightly intimate space,” she notes. The power of connection with the community was felt – both in the app and at the launch event. 

a gathering with dozens of people
The Unsettling Grounds launch event. Photo credit: Jay Simple

When asked what she hopes folks walk away with after engaging with Unsettling Grounds, she says, “I want people to enjoy being immersed in these kinds of sonic archival experiences, and I want them to be curious about getting to the bottom of it.” She also hopes users leave with the understanding that “we as people won’t be the first and we won’t be the last. And we need to live like that.” 

The team’s goal is to hold artist talks or tours and bring the project more fully into the community, using it as a tool for education and dialogue. As for her personal artwork, Marisa’s hoping to head back into the studio to finish up some new and exciting projects. No matter where her work may take her, Marisa is sure to leave an indelible legacy – both in augmented and actual reality. 

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To download the Unsettling Grounds app, visit: https://unsettlinggrounds.com/

To learn more about Marisa, visit her website at: www.marisawilliamson.com

Categories
Community Development Education Hometown Heroes Naila Smith

Zyahna Bryant: Black Woman Activist

by Naila A. Smith, PhD

Zyahna Bryant is a powerhouse. At 22 years old, the Charlottesville native, youth activist, and community organizer, has shown up, spoken out, and been a catalyst for change in her community for the past decade. 

Zyahna’s first racial awakening came around age 12, following the acquittal of George Zimmerman, the self-appointed neighborhood watch captain who shot Trayvon Martin, an unarmed teenage boy in Sanford, Florida, to death. She recalls this as the first major incident of racial injustice that happened in her lifetime. Deeply impacted by this event, she organized a protest in Charlottesville seeking justice for his death and that of other unarmed Black men who had died due to police violence. 

Soon after, Zyahna became connected to a network of local leaders, activists, and community organizers in the city of Charlottesville and embarked on her journey of student activism. She served on the Charlottesville Youth Council, a group of 17 young people who help inform the local government and community about issues affecting the youth. With this group, she recommended actions to improve the city and attended local government meetings and events. 

In 2015, in her first year at Charlottesville High School, she also started the Black Student Union (BSU) to create a space for Black students to come together and build community. The BSU soon organized to create change in the local high school. Importantly, the group was concerned about the racial disparities in the student groups enrolled in advanced placement (AP) and honors courses. Zyahna, who was enrolled in several AP courses, saw very few Black students who looked like her. The BSU organized a walkout and list of demands for several initiatives including that the school district diversify AP and honors courses and hire more Black teachers.

In the spring of 2016, Bryant, then 15, continued her work for racial justice when she wrote a petition calling for the removal of the Robert E. Lee statue and the renaming of the park, formerly known as Robert E. Lee Park, just across from the Downtown Mall. This petition, born from a classroom assignment on “how to make a change” inspired others across the nation and led to the formation of a special council by the city of Charlottesville to deliberate on the statue’s removal. The  proposed action was eventually approved by vote and would precede the fatal clash between white supremacists and counter protesters between August 11th and 12th of 2017.

Before Activism: Growing Up in Charlottesville

In some ways, Zyahna’s experiences growing up did not seem like they would have led her down a path of student activism and community organizing for racial justice. Her family, she says, was like a lot of Southern Black families when it came to conversations about race and racism: they cautioned her “not to do too much” and to be careful about going into spaces where she might be the only Black person. 

Like many African Americans in the South, Zyahna grew up in the church and was very active at Mount Zion First African Baptist Church, a predominantly Black church, where on Sundays she rarely saw white people in the congregation. In her words, Mt. Zion was a place “where Black people found community.” However, while most of her neighborhood friends attended Charlottesville public schools, for several years Zyahna attended St Anne’s-Belfield School, a prestigious, independent boarding and day school serving pre-K through grade 12. At St. Anne’s-Belfield, most of her peers were white and rich and she found it difficult to authentically connect with them. In her words, her home and school life simply “didn’t mix.” 

Moreover, despite her academic prowess, Zyahna also describes having other difficulties at St. Anne’s-Belfield. Specifically, she shared how she got suspended a lot and the school tried to push her out. Zyahna’s “push out” experiences mirror those of other Black girls across the United States who experience disproportionate rates of school discipline, resulting for some in school dropout and interactions with the justice system.

Developing a Critical Perspective

Zyahna credits this policing of her voice as a Black girl as one reason why she may have developed a sharp critical perspective at such a young age. She shared that while growing up, people frequently didn’t see things the way she would, causing her to have to advocate for herself. Moreover, being in a space where she was being socialized around white people made her more aware of the anti-Black messages perpetuated in society. 

As her social analysis sharpened, she also became increasingly aware of how colorism intersected with her experiences as a Black girl. She began to notice how most girls in her honors courses were biracial, and women in Black church leadership roles were mostly light-skinned, and how teachers tended to treat darker-skinned girls differently than girls with a lighter complexion. Her observation is supported by research that has found that darker-skinned girls are more likely to receive out-of-school suspensions than lighter skinned girls. 

While her work continues to be rooted in racial and educational justice, Zyahna has also focused her activism on issues pertaining to Black women and queer and trans people. She said she underwent a second awakening in 12th grade, when had personal experience with how Black women are often marginalized in the racial justice movement. For example, when research Zyahna led made it to Capitol Hill, she was miscredited and given a lesser role than what she merited.

As a result of this focus, during the pandemic, she engaged in several initiatives for Black women and girls such as mutual aid organizing, takeovers with Canadian pop star Shawn Mendes, and virtual panels. She is especially passionate about lifting up Black women’s organizing practice and strategizing. She shared, “We hear a lot of emotional accounts of Black women’s contribution but not a lot of discussion of their contribution to strategy like Latosha Brown.” Latosha Brown founded Black Voters Matter, an organization that has led to significant voter turnout in recent elections in Alabama and Georgia state.

Zyahna currently works as a program lead for Black Girls (EM)Power, a part of the Youth Mentoring Action Network based in Upland California. She recently graduated from the University of Virginia with a bachelor of arts degree in African American and African Studies in the Distinguished Majors Program. In the fall, she will be enrolled in the Bridge to the Doctorate program at University of Virginia. She plans to pursue a doctorate in History. She credits public historians as being critically important to supporting her activism across the years and sees historians as laying the foundation for activism.